Soualiga Capoeira

Soualiga Capoeira

Delen

Capoeira has a vibrant presence in St. Maarten, primarily through the group Soualiga Capoeira. Maarten who began practicing Capoeira in 2002.

Founded in November 2002 by Mestre Graveto (Tyrone Phelipa) under the guidance of Mestre Efraim Silva, this group has been instrumental in promoting Capoeira on the island. One of the notable figures in this community is Jacques “Folha Seca” Heemskerk, a native of St. After years of dedication, he became the first student of Soualiga Capoeira and was elevated to the rank of Professor in 2022. Upon

Photos from Soualiga Capoeira's post 15/04/2026

Take a look at some of the upcoming events where you'll see Graduada Elastica and Professor Folha Seca in the Roda!

11/02/2026

Let's wish Professor Folha Seca a Happy Birthday!!

06/02/2026

https://www.facebook.com/share/p/1G4u5eaoKc/

At first glance, the Angolan martial art known as Capoeira Angola appears to be a dance.

The body sways low to the ground.
Movements flow in circles.
There is music, call-and-response, rhythm that feels almost playful.

That was intentional.

Because during the transatlantic slave trade, survival depended on what you could hide in plain sight.

Capoeira Angola did not begin in Brazil. It comes from Angola, from cultures where music, movement, ceremony, and combat were never separate things. In these societies, knowledge lived in the body. Strategy traveled through rhythm. Skill was passed from one generation to the next without needing books or permission.

Then came capture.

Angolans were taken, sold, and forced into slavery in Brazil, where plantations were engineered to crush resistance through violence, surveillance, and terror. Any sign of organizing, training, or fighting back was punished brutally. Training to fight was forbidden.

So the martial art adapted.

What could not be practiced openly was disguised. Combat was folded into dance. Drills were masked as play. Training happened in circles, accompanied by music, so that it looked harmless to those watching closely—and threatening to no one who didn’t know what they were seeing.

We told them it was a dance.

Not because it was harmless.
But because it was necessary.

Beneath the flow was a system built on balance, deception, timing, and survival. Capoeira taught people how to fight without weapons, how to move while chained, how to read danger before it arrived. Nothing about it was accidental.

And for many, survival was only the beginning.

Runaways did not simply flee plantations. They built new worlds.

Across Brazil, formerly enslaved Africans formed quilombos—independent Black communities beyond colonial control. The largest and most powerful of these was Quilombo dos Palmares.

Palmares was not a camp. It was a functioning Black state. With farms, families, spiritual life, systems of governance, and organized defense. For nearly a century, Palmares resisted Portuguese colonial forces who were determined to destroy it.

That kind of freedom does not happen by accident.

It must be practiced.
It must be defended.

Capoeira was part of how Palmares protected itself. The same movements once dismissed as dance were used to fight armed soldiers, defend terrain, and survive against overwhelming force. Movement became military knowledge. The art became infrastructure.

One of Palmares’ most well-known leaders was Zumbi dos Palmares. He was born free, captured as a child, escaped, and returned to lead resistance. He was hunted relentlessly—not because he attacked first, but because he refused submission.

Palmares fell only after decades of war.

The colonial state learned a lesson from Palmares:
Black people organizing, training, and defending themselves was a threat to empire.

That lesson did not disappear when slavery ended.

After abolition, capoeira was outlawed. Practitioners were arrested, beaten, exiled, and labeled criminals. Not because the art was misunderstood—but because it was understood too well. The state remembered what it had helped build.

Capoeira Angola survived anyway.

In low stances that still carry memory.
In songs that still encode warning.
In movements that teach patience before violence.

Black history is not only a record of what was done to us.

It is also a record of intelligence, adaptation, and refusal.
Of what we built anyway.
Of what moved even when the world tried to still it.

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15/01/2026

Soualiga Capoeira offers weekly Afro-Brazilian arts to youths at Stichting EGO Afterschool Programs Expertise and Community Projects ... During January, various kids have been learning the art of Maculele. In the video you can see how these kids at Sr. Magda has been working.

*Maculelê is a folklore dance/ fight using sticks (grimas). It's also known as the warriors dance. Persons dance and engage each other with high energetic movements following a percussion rhythm.

Contact Soualiga Capoeira to learn more or to inquire about classes.

02/01/2026

In the roda of life, we manifest that this year brings you:

Balance: To stay centered even when things get upside down.

Peace: To navigate challenges with wisdom and a smile.

Connection: Great moments with your camarás and a deeper bond with the music.

Growth: Mastering that one movement or song that’s been calling to you.

May the berimbau lead you toward a year of joy and high energy.

Soualiga Capoeira Salve!

27/12/2025

Come out and join our old years Roda!!

27/12/2025

Soualiga Capoeira members, parents and director wishes everyone Season's Greetings and Happy Holidays!!

23/12/2025
23/12/2025
20/12/2025

Today we have our annual Secret Santa and Roda!!

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