100 Taka Physiotherapy

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100 Taka Physiotherapy 100 Taka Physiotherapy support for poorest people. This is a project of Nabochetona foundation . Bangladesh is a developing country. Objectives
1.

We achieved our independence in 1971. In independent Bangladesh earned at the cost of the ultimate sacrifices of millions, the anguish of populace has been abolished as well as the growth of indigenous culture has been made free from any restraints. It is true that we can see remnants of our past in our culture, but this is not the reflection. The culture has been enriched by the minds fed by the ongoing social life and flow of historical events. It is a matter of sorrow that even though we have many forms of traditional dances and songs, too little attention is given to the extensive study, research and fundamental analysis of them. An awakening our culture may be possible through organized activities. There is little or no initiative or cooperation from the non-government agencies regarding preserving of the artists of traditional songs and dances. As a result, there artists are living way below the poverty line, causing slow diminishing of our culture and heritage. Besides, due to insufficient funds, the street children and the under privileged children are always deprived of receiving education on cultural sectors. Not only that, we need to create an environment that eradicates and resists all the factors that create a threat to our culture and hinder our cultural activities. For example- natural disasters and calamities and assisting people in securing their basic rights. Keeping these in mind, this organization was formed in Merul Badda, Dhaka in 2010. Under the leadership of Tushar Chakraborti, ``Trust and Faith Ministry” started its journey on July, 2010. In the September of the same year, preparations were taken to start operation in grassroots level. The process of enlisting cultural volunteers also started. Finally, on the 16th December, 2010, the organization surfaced through cultural programs of the Victory Day held at Merul Badda. This event is a milestone in for the organization and in development of the organization. In a developing country like ours, everything is imposed. Development is not possible with an imposed culture. Individuality is needed for the development. As a result, even after forty years of independence, we could not achieve anything. Farmers-workers and other poor people, who took up arms in the call of freedom, fought for the land and freed her, and then they went back to work and waited for the country to provide for them, to ensure their basic rights. But the nation leaders were unable to fulfill their hopes. To help the nation in those tasks, the organization wants to help the government by providing distinctive good practices. The mentioned task is very hard and sacrificial. For the development of a nation, any one of the generations must make sacrifices. Trust and Faith initiates the process of creation of those noble persons. Creating a practice to solve the problems of the county, development of leadership definitively awakens the people, and works towards solving the problems through the people. To materialize the visions of Trust and Faith, an organization with helpful, efficient, adept, and dynamic leadership is needed. The only possible way of creating such organization is through continuous effort towards a specific goal. To assist those efforts, the undertaking of creating a far sighted constitution has been carried out, which will guide Trust and Faith in its journey forward. Trust and Faith is determined to improve and expand the artists of the country.
2. Ensuring the sustenance and growth of the cultures of different clans and groups of this nation.
3. To create a harmony between the people from different clans and groups through cultural activities is one of the primary goals of Trust and Faith.
4. Trust and Faith is determined to improve the livelihood of under privileged children and the children of different orphanages through providing free of cost training on singing, dancing, and drama and musical instruments.
5. Restoration and significant popularization of almost lost forms of folklore e.g. Kabi Gaan, Baul, Jari, Sari, Brotochari and other folk songs and dance) and indigenous musical instruments e.g. Bashi, Sanai, Dotara, Aktara, Dhak, Dhol, Korotal, Khanjani).
6. Ensuring proper social and financial status of local artists and other inhabitants of small income and working for preservation of their personal interests is one of the primary goals of Trust and Faith.
7. Increasing the capabilities of under privileged artists and poor people in remote areas so that they may ensure their basic rights is one of the primary goals.
8. Natural disasters and calamities harm the people and can destroy a nation’s culture; so one of the primary goals of Trust and Faith is to increase mass awareness and work for the development of areas that have a high risk of natural disasters.
9. Through all of the activities of Trust and Faith, it is determined to reflect the hopes and values of the country at its purest form and inspire the nation towards building a happy and harmonious nation.
10. To create awareness on social rights and values in children, handicapped, professionals and the youth of the nation and augmenting in their development is one of the primary goals of the organization.
11. Working for not only singing, dancing and drama, but also for any development and welfare based activity is one of the primary goals of the organization. Section 2.3
Vision
A human has infinite potential; growth of those potentials and utilizing those achievements towards welfare of mankind. Section 2.4
Fundamental Values
1. Trust and Faith believes in indigenous knowledge and learning from the people
2. Trust and Faith believes in equal rights regardless of nationality, religion, cast, gender, social status, and age.
3. Trust and Faith is accountable to targeted populace hence to the greater society.
4. Trust and Faith is bound to provide better services to the society because of its accountability towards society and welfare oriented mentality.
5. Trust and Faith is a family and all may enjoy their freedom within its moral boundaries.
6. Trust and Faith believes that its ultimate duty is the development of the most under privileged, affected and extremely poor people. Activities
Cultural development, education, health, preserving of environment and bio diversity, development of livelihood, security of food, growth of skills, sustainability of the organization, increasing awareness, advocacy, fellowship, preserving good governance and human rights, sustenance and growth of the cultures of different clans and groups, development of the organization, development of the handicapped, founding of division organizations, development of partner organization, managing sustainable resources, empowering of the poor, social and natural disaster management, reviving of national culture, networking, development of initiators, research, environment friendly agriculture, farming, cultural activities, relief and relocation.

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20/08/2021

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Song Title : Esho-Shobuj-e-Shajai Singer : Sh*thi Saha & GM JohnLyrics : Quamrul Hasan SumonTune : GM John Bass Guitar : Syed TamimMusic Arrangement : GM Joh...

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11/07/2021

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Nabochetona Manobik Unnion Foundation / āύāĻŦāĻšā§‡āϤāύāĻž āĻŽāĻžāύāĻŦāĻŋāĻ• āωāĻ¨ā§āύ⧟āύ āĻĢāĻžāωāĻ¨ā§āĻĄā§‡āĻļāύ
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Nabochetona Manobik Unnion Foundation / āύāĻŦāĻšā§‡āϤāύāĻž āĻŽāĻžāύāĻŦāĻŋāĻ• āωāĻ¨ā§āύ⧟āύ āĻĢāĻžāωāĻ¨ā§āĻĄā§‡āĻļāύ

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Nabochetona Manobik Unnion Foundation / āύāĻŦāĻšā§‡āϤāύāĻž āĻŽāĻžāύāĻŦāĻŋāĻ• āωāĻ¨ā§āύ⧟āύ āĻĢāĻžāωāĻ¨ā§āĻĄā§‡āĻļāύ
āĻŽā§‹āĻŦāĻžāχāϞ/ āĻŦāĻŋāĻ•āĻžāĻļ: 01771092617

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03/05/2021

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Nabochetona Manobik Unnion Foundation / āύāĻŦāĻšā§‡āϤāύāĻž āĻŽāĻžāύāĻŦāĻŋāĻ• āωāĻ¨ā§āύ⧟āύ āĻĢāĻžāωāĻ¨ā§āĻĄā§‡āĻļāύ āĻāϰ āĻĒāĻ•ā§āώ āĻšāϤ⧇ āϏāĻ•āϞāϕ⧇ āĻĢāĻžāĻ˛ā§āϗ⧁āύ⧀ āĻļ⧁āϭ⧇āĻšā§āĻ›āĻž āϰāχāϞāĨ¤ āϏāĻŦ⧁āĻœā§‡āϰ ...
13/02/2021

Nabochetona Manobik Unnion Foundation / āύāĻŦāĻšā§‡āϤāύāĻž āĻŽāĻžāύāĻŦāĻŋāĻ• āωāĻ¨ā§āύ⧟āύ āĻĢāĻžāωāĻ¨ā§āĻĄā§‡āĻļāύ āĻāϰ āĻĒāĻ•ā§āώ āĻšāϤ⧇ āϏāĻ•āϞāϕ⧇ āĻĢāĻžāĻ˛ā§āϗ⧁āύ⧀ āĻļ⧁āϭ⧇āĻšā§āĻ›āĻž āϰāχāϞāĨ¤ āϏāĻŦ⧁āĻœā§‡āϰ āĻŽāĻžāĻā§‡ āĻŦā§‡ā§œā§‡ āωāϠ⧁āĻ• āĻ­āĻŦāĻŋāĻˇā§āϝāϤ āĻĒā§āϰāϜāĻ¨ā§āĻŽāĨ¤ āϏāĻŦ⧁āϜ āĻ›ā§œāĻŋā§Ÿā§‡ āĻĒ⧜⧁āĻ• āĻŦāĻŋāĻļā§āĻŦāĻŽā§ŸāĨ¤

10/01/2021

āϏ⧁āĻšā§ƒāĻĻ,
āϏāĻ•āϞāϕ⧇ āϜāĻžāύāĻžāĻšā§āĻ›āĻŋ āĻ…āύ⧇āĻ• āĻļā§āϰāĻĻā§āϧāĻž āĻāĻŦāĻ‚ āĻ­āĻžāϞāĻŦāĻžāϏāĻžāĨ¤
āφāĻŽāϰāĻž āφāĻĒāύāĻžāĻĻ⧇āϰ āϏāĻ•āϞāϕ⧇ āĻ…āĻ¤ā§āϝāĻ¨ā§āϤ āφāύāĻ¨ā§āĻĻ⧇āϰ āϏāĻžāĻĨ⧇ āϜāĻžāύāĻžāĻšā§āĻ›āĻŋ āϝ⧇, āύāĻŦāĻšā§‡āϤāύāĻžāϰ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āϏāϰāĻ•āĻžāϰ āĻ•āĻ°ā§āϤ⧃āĻ• āύāĻžāĻŽ āύāĻŋāĻŦāĻ¨ā§āϧāύ āĻšā§Ÿā§‡āϛ⧇āĨ¤ āϰ⧇āϜāĻŋāĻˇā§āĻŸā§āϰ⧇āĻļāύ⧇āϰ āύāĻŋ⧟āĻŽ āĻ…āύ⧁āϏāĻžāϰ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āϏāĻ‚āĻ—āĻ āύ⧇āϰ āύāĻžāĻŽāϟāĻŋ āĻāĻ–āύ āĻšāϤ⧇ āύāĻŦāĻšā§‡āϤāύāĻž āĻŽāĻžāύāĻŦāĻŋāĻ• āωāĻ¨ā§āύ⧟āύ āĻĢāĻžāωāĻ¨ā§āĻĄā§‡āĻļāύ āύāĻžāĻŽā§‡ āĻ•āĻžāϜ āĻ•āϰ⧇ āϝāĻžāĻŦ⧇āĨ¤ āĻĻ⧇āĻļ, āĻĒā§āϰāĻ•ā§ƒāϤāĻŋ āĻ“ āϤāĻžāϰ āϜ⧈āĻŦāĻŦ⧈āϚāĻŋāĻ¤ā§āϰ āĻāĻŦāĻ‚ āĻŽāĻžāύāĻŦāĻŋāĻ• āĻ•āĻžāĻœā§‡ āύāĻŦāĻšā§‡āϤāύāĻž āĻ›āĻŋāϞ āĻāĻŦāĻ‚ āφāĻœā§€āĻŦāύ āĻ•āĻžāϜ āĻ•āϰ⧇ āϝāĻžāĻŦ⧇āĨ¤
āϧāĻ¨ā§āϝāĻŦāĻžāĻĻ Nabochetona / āύāĻŦāĻšā§‡āϤāύāĻž āϰ āĻĒā§āϰāϧāĻžāύ āωāĻĒāĻĻ⧇āĻˇā§āϟāĻž Mohammad Masud Pilot āĻ­āĻžāχāϕ⧇ , āĻ āύāĻžāĻŽ āύāĻŋāĻŦāĻ¨ā§āϧāύ⧇āϰ āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻ•āĻžāϜ āϤāĻŋāύāĻŋ āĻŦāĻžāĻ¸ā§āϤāĻŦāĻžā§Ÿāύ āĻ•āϰ⧇āϛ⧇āύāĨ¤
āφāĻŦāĻžāϰ⧋ āϧāĻ¨ā§āϝāĻŦāĻžāĻĻ āϜāĻžāύāĻžāĻšā§āĻ›āĻŋ āϏāĻ•āϞāϕ⧇ āύāĻŦāĻšā§‡āϤāύāĻžāϰ āĻŦāĻ¨ā§āϧ⧁ āĻšā§Ÿā§‡ āĻĒāĻžāĻļ⧇ āĻĨāĻžāĻ•āĻžāϰ āϜāĻ¨ā§āϝāĨ¤

āϧāĻ¨ā§āϝāĻŦāĻžāĻĻāĻžāĻ¨ā§āϤ⧇,
āϤ⧁āώāĻžāϰ āϚāĻ•ā§āϰāĻŦāĻ°ā§āϤ⧀
āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āϤāĻž āĻāĻŦāĻ‚ āĻĒāϰāĻŋāϚāĻžāϞāĻ•
āύāĻŦāĻšā§‡āϤāύāĻž āĻŽāĻžāύāĻŦāĻŋāĻ• āωāĻ¨ā§āύ⧟āύ āĻĢāĻžāωāĻ¨ā§āĻĄā§‡āĻļāύāĨ¤

Nabochetona / āύāĻŦāĻšā§‡āϤāύāĻž āϰ "āύāĻŋāĻŦ⧇āĻĻāύ" āĻ•ā§āϝāĻžāĻŽā§āĻĒ⧇āχāύ⧇āϰ āĻĒā§āϰāĻĨāĻŽāĻĻāĻŋāύ⧇āϰ āϏāĻžāϰāĻžāĻĻāĻŋāύ⧇āϰ āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽ āφāϜ āφāĻŽāϰāĻž āϏāĻĢāϞāĻ­āĻžāĻŦ⧇ āϏāĻŽāĻžāĻĒā§āϤ āĻ•āϰāϤ⧇ āĻĒ⧇āϰ⧇āĻ›āĻŋāĨ¤  āφāϜ āϝāĻļā§‹...
29/12/2020

Nabochetona / āύāĻŦāĻšā§‡āϤāύāĻž āϰ "āύāĻŋāĻŦ⧇āĻĻāύ" āĻ•ā§āϝāĻžāĻŽā§āĻĒ⧇āχāύ⧇āϰ āĻĒā§āϰāĻĨāĻŽāĻĻāĻŋāύ⧇āϰ āϏāĻžāϰāĻžāĻĻāĻŋāύ⧇āϰ āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽ āφāϜ āφāĻŽāϰāĻž āϏāĻĢāϞāĻ­āĻžāĻŦ⧇ āϏāĻŽāĻžāĻĒā§āϤ āĻ•āϰāϤ⧇ āĻĒ⧇āϰ⧇āĻ›āĻŋāĨ¤
āφāϜ āϝāĻļā§‹āϰ⧇ ā§­ā§Š āϜāύ āĻšāϤāĻĻāϰāĻŋāĻĻā§āϰ, āφāĻļā§āϰ⧟āĻšā§€āύ āĻāĻŦāĻ‚ āĻ…āϏāĻšāĻžā§Ÿ āĻŽāĻžāύ⧁āώāĻĻ⧇āϰ āĻļā§€āϤ āύāĻŋāĻŦāĻžāϰāύ⧇āϰ āϜāĻ¨ā§āϝ āĻ•āĻŽā§āĻŦāϞ āωāĻĒāĻšāĻžāϰ āĻĻāĻŋāϤ⧇ āĻĒ⧇āϰ⧇ āφāĻŽāϰāĻž āϏāĻ¤ā§āϝāĻŋ āĻ­ā§€āώāĻŖ āφāύāĻ¨ā§āĻĻāĻŋāϤāĨ¤
āφāĻĒāύāĻžāĻĻ⧇āϰ āϏāĻ•āϞ⧇āϰ āϏāĻšāϝ⧋āĻ—ā§€āϤāĻž āĻāĻŦāĻ‚ āĻ…āĻ‚āĻļāĻ—ā§āϰāĻšāύ⧇ āφāĻŽāϰāĻž āφāĻ—āĻžāĻŽā§€ āĻĻ⧁āχāĻĻāĻŋāύ⧇ āφāϰ⧋ ā§Ģā§Š āϜāύ āĻšāϤāĻĻāϰāĻŋāĻĻā§āϰ āĻļāĻŋāĻļ⧁āĻĻ⧇āϰ āĻ•āĻŽā§āĻŦāϞ āĻĻāĻŋāϤ⧇ āĻĒāĻžāϰāĻŦā§‹āĨ¤
āĻļā§€āϤ⧇ āĻŽāϟāϰāϏāĻžāχāϕ⧇āϞ āύāĻŋā§Ÿā§‡ āϝāĻļā§‹āϰ āĻļāĻšāϰ⧇āϰ āφāĻļāĻĒāĻžāĻļ āϘ⧁āϰāϤ⧇ āϘ⧁āϰāϤ⧇ āĻāĻ•āĻĒāĻ°ā§āϝāĻžā§Ÿ āφāĻŽāϰāĻž āĻŦāĻžāĻ§ā§āϝāĻšā§Ÿā§‡ āφāϗ⧁āύ⧇ āĻšāĻžāϤ āĻļ⧇āϖ⧇ āύāĻŋāχ, āϤāĻŦ⧇ āϝāĻžāχ āĻšā§‹āĻ• āĻāϰ āĻŽāĻžāĻā§‡ āϤ⧀āĻŦā§āϰ āφāύāĻ¨ā§āĻĻ āφāϛ⧇āĨ¤ āϧāĻ¨ā§āϝāĻŦāĻžāĻĻ āĻĻāĻŋāχ āύāĻŦāĻšā§‡āϤāύāĻžāϰ āϏāĻšāϝ⧋āĻĻā§āϧāĻžāĻĻ⧇āϰ āĻ āĻ•āĻžāĻœā§‡ āφāύāĻ¨ā§āĻĻ⧇āϰ āϏāĻžāĻĨ⧇ āĻ…āĻ‚āĻļāĻ—ā§āϰāĻšāύ⧇āϰ āϜāĻ¨ā§āϝāĨ¤

ā§¨ā§Ž āϤāĻžāϰāĻŋāĻ– āĻļā§€āϤāĻžāĻ°ā§āĻĨ āĻ…āϏāĻšāĻžā§Ÿ āĻŽāĻžāύ⧁āώ⧇āϰ āωāĻĒāĻšāĻžāϰ āĻĻ⧇āĻŦāĻžāϰ āϜāĻ¨ā§āϝ  Nabochetona / āύāĻŦāĻšā§‡āϤāύāĻž āϰ āϝ⧋āĻĻā§āϧāĻžāϰāĻž āĻ…āĻ˛ā§āĻĒ āĻ…āĻ˛ā§āĻĒ āĻ•āϰ⧇ āĻ•āĻŽā§āĻŦā§‹āϞ āĻ•āĻŋāύ⧇ āĻ•āĻžāĻ°ā§āϝāĻžāĻ˛ā§Ÿā§‡ āϜāĻŽ...
23/12/2020

ā§¨ā§Ž āϤāĻžāϰāĻŋāĻ– āĻļā§€āϤāĻžāĻ°ā§āĻĨ āĻ…āϏāĻšāĻžā§Ÿ āĻŽāĻžāύ⧁āώ⧇āϰ āωāĻĒāĻšāĻžāϰ āĻĻ⧇āĻŦāĻžāϰ āϜāĻ¨ā§āϝ Nabochetona / āύāĻŦāĻšā§‡āϤāύāĻž āϰ āϝ⧋āĻĻā§āϧāĻžāϰāĻž āĻ…āĻ˛ā§āĻĒ āĻ…āĻ˛ā§āĻĒ āĻ•āϰ⧇ āĻ•āĻŽā§āĻŦā§‹āϞ āĻ•āĻŋāύ⧇ āĻ•āĻžāĻ°ā§āϝāĻžāĻ˛ā§Ÿā§‡ āϜāĻŽāĻž āĻ•āϰāϛ⧇āĨ¤

āφāĻĒāύāĻžāϰ āĻĻāĻžāύ āĻ…āĻĨāĻŦāĻž āĻĒ⧁āϰāĻžāϤāύ āĻļā§€āϤ āĻŦāĻ¸ā§āĻ¤ā§āϰāϟāĻŋ āĻšāϤ⧇ āĻĒāĻžāϰ⧇ āĻ āĻļā§€āϤ⧇ āĻ…āϏāĻšāĻžā§Ÿ āϕ⧋āύ āĻŽāĻžāύ⧁āώ⧇āϰ āĻļā§€āϤ āύāĻŋāĻŦāĻžāϰāύ⧇āϰ āωāĻĒāĻšāĻžāϰāĨ¤āύāĻŦāĻšā§‡āϤāύāĻžāϰ āϏāĻžāĻĨ⧇ āĻĨāĻžāĻ•āĻžāϰ āϜāĻ¨ā§āϝ āϏāĻ•āϞāϕ⧇ āϧ...
16/12/2020

āφāĻĒāύāĻžāϰ āĻĻāĻžāύ āĻ…āĻĨāĻŦāĻž āĻĒ⧁āϰāĻžāϤāύ āĻļā§€āϤ āĻŦāĻ¸ā§āĻ¤ā§āϰāϟāĻŋ āĻšāϤ⧇ āĻĒāĻžāϰ⧇ āĻ āĻļā§€āϤ⧇ āĻ…āϏāĻšāĻžā§Ÿ āϕ⧋āύ āĻŽāĻžāύ⧁āώ⧇āϰ āĻļā§€āϤ āύāĻŋāĻŦāĻžāϰāύ⧇āϰ āωāĻĒāĻšāĻžāϰāĨ¤āύāĻŦāĻšā§‡āϤāύāĻžāϰ āϏāĻžāĻĨ⧇ āĻĨāĻžāĻ•āĻžāϰ āϜāĻ¨ā§āϝ āϏāĻ•āϞāϕ⧇ āϧāĻ¨ā§āϝāĻŦāĻžāĻĻāĨ¤
āύāĻŦāĻšā§‡āϤāύāĻž āĻāĻ•āϟāĻŋ āĻ¸ā§āĻŦ⧇āĻšā§āĻ›āĻžāϏ⧇āĻŦā§€ āĻŽāĻžāύāĻŦāĻŋāĻ• āϏāĻ‚āĻ—āĻ āύāĨ¤ āφāĻŽāϰāĻž āĻ…āϏāĻšāĻžā§Ÿ āĻšāϤāĻĻāϰāĻŋāĻĻā§āĻ°ā§āϰ āĻŽāĻžāύ⧁āώ āĻāĻŦāĻ‚ āϏāĻŦ⧁āϜ āĻĒ⧃āĻĨāĻŋāĻŦā§€ āĻ—ā§œāϤ⧇ ⧍ā§Ļā§§ā§Ļ āχāĻ‚ āĻšāϤ⧇ āĻ•āĻžāϜ āĻ•āϰ⧇ āϝāĻžāĻšā§āĻ›āĻŋāĨ¤ Nabochetona / āύāĻŦāĻšā§‡āϤāύāĻž ā§¨ā§Ž āĻĄāĻŋāϏ⧇āĻŽā§āĻŦāϰ āϝāĻļā§‹āϰ āĻœā§‡āϞāĻžāϰ ⧍ā§Ļā§Ļ āĻšāϤāĻĻāϰāĻŋāĻĻā§āϰ āĻ…āϏāĻšāĻžā§Ÿ āĻŽāĻž-āĻŦāĻžāĻŦāĻž, āĻ­āĻžāχ-āĻŦā§‹āύ āĻ“ āϛ⧋āϟ āĻļāĻŋāĻļ⧁āĻĻ⧇āϰ āϜāĻ¨ā§āϝ āĻ•āĻŽā§āĻŦāϞ āĻāĻŦāĻ‚ āĻļā§€āϤāĻŦāĻ¸ā§āĻ¤ā§āϰ āωāĻĒāĻšāĻžāϰ āĻĻ⧇āĻŦāĻžāϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝ⧇ āĻ•āĻžāϜ āĻļ⧁āϰ⧁ āĻ•āϰ⧇āϛ⧇āĨ¤ āĻ āĻŽāĻžāύāĻŦāĻŋāĻ• āĻ•āĻžāĻœā§‡ āϏāĻ•āϞāϕ⧇ āύāĻŦāĻšā§‡āϤāύāĻžāϰ āĻĒāĻžāĻļ⧇ āĻĨāĻžāĻ•āĻžāϰ āϜāĻ¨ā§āϝ āĻŦāĻŋāύ⧀āϤ āĻ…āύ⧁āϰ⧋āϧ āϰāχāϞāĨ¤
āϜ⧟ āĻšā§‹āĻ• āĻŽāĻžāύāĻŦāϤāĻžāϰ, āϜ⧟ āĻšā§‹āĻ• āĻ­āĻžāϞāĻŦāĻžāϏāĻžāϰāĨ¤

āϝ⧋āĻ—āĻžāϝ⧋āĻ—:
āϤ⧁āώāĻžāϰ āϚāĻ•ā§āϰāĻŦāĻ°ā§āϤ⧀, āĻĒā§āϰāϤāĻŋāĻˇā§āĻ āϤāĻž āύāĻŦāĻšā§‡āϤāύāĻž
āĻŽā§‹āĻŦāĻžāχāϞ-ā§Ļā§§ā§Žā§§ā§Ŧā§¯ā§§ā§¨ā§Žā§§ā§Š

āĻŽāύāĻŋāϰ⧁āĻœā§āϜāĻžāĻŽāĻžāύ āĻŽāύāĻŋāϰ, āϏāĻ­āĻžāĻĒāϤāĻŋ āύāĻŦāĻšā§‡āϤāύāĻž
āĻŽā§‹āĻŦāĻžāχāϞ- ā§Ļ⧧⧭⧧⧧⧝ā§Ŧā§Ēā§Ģ⧧⧍

āϏāĻžāĻŽāĻŋāϰ āĻšā§‹āϏ⧇āύ, āĻĻāĻĒā§āϤāϰ āϏāĻŽā§āĻĒāĻžāĻĻāĻ•, āύāĻŦāĻšā§‡āϤāύāĻž
āĻŽā§‹āĻŦāĻžāχāϞ- ā§Ļā§§ā§Šā§Ļ⧍ā§Ēā§Ēā§Ļā§­ā§Ļā§Ē

āφāĻŽāĻžāĻĻ⧇āϰ āϏāĻžāϤāĻ•ā§āώ⧀āϰāĻž āĻœā§‡āϞāĻž āĻāĻŦāĻ‚ āωāĻ¤ā§āϤāϰāĻŦāĻ™ā§āϗ⧇ āĻŦāĻ¨ā§āϝāĻž  āĻĒāϰāĻŋāĻ¸ā§āĻĨāĻŋāϤāĻŋ āĻĻāĻŋāύ⧇ āĻĻāĻŋāύ⧇ āĻ…āĻŦāύāϤāĻŋ āĻšāĻšā§āϛ⧇, āϏ⧇ āϏāĻžāĻĨ⧇ āĻŦāĻžā§œāϛ⧇ āĻŦāĻŋāĻļ⧁āĻĻā§āϧ āĻĒāĻžāύāĻŋ āĻ“  āĻœā§āĻŦāĻžāϞāĻžāύ⧀ āϏāĻ™ā§āĻ•...
21/08/2020

āφāĻŽāĻžāĻĻ⧇āϰ āϏāĻžāϤāĻ•ā§āώ⧀āϰāĻž āĻœā§‡āϞāĻž āĻāĻŦāĻ‚ āωāĻ¤ā§āϤāϰāĻŦāĻ™ā§āϗ⧇ āĻŦāĻ¨ā§āϝāĻž āĻĒāϰāĻŋāĻ¸ā§āĻĨāĻŋāϤāĻŋ āĻĻāĻŋāύ⧇ āĻĻāĻŋāύ⧇ āĻ…āĻŦāύāϤāĻŋ āĻšāĻšā§āϛ⧇, āϏ⧇ āϏāĻžāĻĨ⧇ āĻŦāĻžā§œāϛ⧇ āĻŦāĻŋāĻļ⧁āĻĻā§āϧ āĻĒāĻžāύāĻŋ āĻ“ āĻœā§āĻŦāĻžāϞāĻžāύ⧀ āϏāĻ™ā§āĻ•āϟ āĻāĻŦāĻ‚ āĻ–āĻžāĻĻā§āϝāĻ•āĻˇā§āϟāĨ¤
Nabochetona / āύāĻŦāĻšā§‡āϤāύāĻž āϕ⧋āĻ­āĻŋāĻĄā§§ā§¯ āĻļ⧁āϰ⧁ āĻšāϤ⧇
" āĻĻ⧁āχ āĻŽā§āϟ āĻ…āĻ¨ā§āύ" āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽ āĻĒāϰāĻŋāϚāĻžāϞāύāĻž āĻ•āϰ⧇ āφāϏāĻ›āĻŋāϞāĨ¤
āĻŦāĻ°ā§āϤāĻŽāĻžāύ⧇ āφāĻŦāĻžāϰ⧋ āĻ…āϏāĻšāĻžā§Ÿ āĻŽāĻžāύ⧁āώ⧇āϰ āĻĒāĻžāĻļ⧇ āĻĨāĻžāĻ•āĻžāϰ āϜāĻ¨ā§āϝ āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽ āĻĒāϰāĻŋāϚāĻžāϞāύāĻž āĻļ⧁āϰ⧁ āĻ•āϰāĻžāϰ āϏāĻŋāĻĻā§āϧāĻžāĻ¨ā§āϤ āύāĻŋā§Ÿā§‡āϛ⧇ Nabochetona BDāĨ¤ āφāĻ—āĻžāĻŽā§€āĻ•āĻžāϞ āĻšāϤ⧇ āĻļ⧁āϰ⧁ āĻšāĻŦ⧇ āĻ āĻĻāĻžāύ āϏāĻ‚āĻ—ā§āϰāĻš āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽāĨ¤
āφāĻĒāύāĻžāϰ āĻĻāĻžāύ āĻŦāĻ¨ā§āϝāĻž āĻĻā§‚āĻ°ā§āĻ—āϤ āĻāϞāĻžāĻ•āĻžāϰ āϕ⧋āύ āĻŦ⧃āĻĻā§āϧ āĻŦāĻžāĻŦāĻž-āĻŽāĻž, āϛ⧋āϟ āĻļāĻŋāĻļ⧁ āĻŦāĻž āϕ⧋āύ āĻ­āĻžāχāĻŦā§‹āύ⧇āϰ āĻ–āĻžāĻĻā§āϝ āĻ•āĻˇā§āϟ āĻĻā§‚āϰ āĻ•āϰāĻŦ⧇āĨ¤
Nabochetona / āύāĻŦāĻšā§‡āϤāύāĻž āϰ āĻŦāĻ¨ā§āϧ⧁ āĻšā§Ÿā§‡ āϏāĻ•āϞāϕ⧇ āĻŦāĻ¨ā§āϝāĻžāĻ•āĻŦāϞ⧀āϤ āĻ…āϏāĻšāĻžā§Ÿ āĻŽāĻžāύ⧁āώ⧇āϰ āĻĒāĻžāĻļ⧇ āĻāĻ—āĻŋā§Ÿā§‡ āφāϏāϤ⧇ āϏāĻ•āϞ⧇āϰ āĻ•āĻžāϛ⧇ āĻŽāĻžāύāĻŦāĻŋāĻ• āϏāĻšāĻžā§ŸāϤāĻž āĻ•āĻžāĻŽāύāĻž āĻ•āϰāĻŋāĨ¤
āϜ⧟ āĻšā§‹āĻ• āĻŽāĻžāύāĻŦāϤāĻžāϰāĨ¤

āύāĻŋāĻŽā§āύāϚāĻžāĻĒ⧇āϰ āĻ•āĻžāϰāύ⧇ āĻĒāϰāĻŋāĻŦ⧇āĻļ āφāϜ āĻ…āύ⧁āϕ⧂āϞ⧇ āĻ›āĻŋāϞāύāĻž, āϤāĻžāϰāĻĒāϰ⧇āĻ“ Nabochetona / āύāĻŦāĻšā§‡āϤāύāĻž āϰ āĻŦāĻ¨ā§āϧ⧁āϰāĻž āĻĨ⧇āĻŽā§‡ āĻĨāĻžāϕ⧇āύāĻŋ, āϝāĻĻāĻŋāĻ“ āϤ⧀āĻŦā§āϰ āĻŦ⧃āĻˇā§āϟāĻŋāϤ⧇ āφāϜāϕ⧇āϰ...
21/08/2020

āύāĻŋāĻŽā§āύāϚāĻžāĻĒ⧇āϰ āĻ•āĻžāϰāύ⧇ āĻĒāϰāĻŋāĻŦ⧇āĻļ āφāϜ āĻ…āύ⧁āϕ⧂āϞ⧇ āĻ›āĻŋāϞāύāĻž, āϤāĻžāϰāĻĒāϰ⧇āĻ“ Nabochetona / āύāĻŦāĻšā§‡āϤāύāĻž āϰ āĻŦāĻ¨ā§āϧ⧁āϰāĻž āĻĨ⧇āĻŽā§‡ āĻĨāĻžāϕ⧇āύāĻŋ, āϝāĻĻāĻŋāĻ“ āϤ⧀āĻŦā§āϰ āĻŦ⧃āĻˇā§āϟāĻŋāϤ⧇ āφāϜāϕ⧇āϰ āĻŦ⧃āĻ•ā§āώ āϰ⧋āĻĒāύ⧇āϰ āϞāĻ•ā§āώ āĻ…āĻ°ā§āϜāύ āϏāĻŽā§āĻ­āĻŦ āĻšā§ŸāύāĻŋ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āφāĻ—āĻžāĻŽā§€ ā§Š āĻĻāĻŋāύ⧇ āφāĻļāĻžāĻ•āϰāĻŋ āφāĻŽāϰāĻž āĻ•āĻžāϜ āĻļ⧇āώ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦā§‹āĨ¤ āύāĻŦāĻšā§‡āϤāύāĻžāϰ āĻāĻ•āϟāĻŋ āĻ—āĻžāĻ› āĻāĻ•āϟāĻŋ āĻĒā§āϰāĻžāĻŖ āĻ•ā§āϝāĻžāĻŽā§āĻĒ⧇āχāύ⧇āϰ āϏāĻžāĻĨ⧇ āĻĨāĻžāϕ⧁āύāĨ¤
āϏāĻŦ⧁āϜ āĻ›ā§œāĻŋā§Ÿā§‡ āϝāĻžāĻ• āĻŦāĻŋāĻļā§āĻŦāĻŽā§ŸāĨ¤

āĻāĻŦāĻ›āϰ Nabochetona / āύāĻŦāĻšā§‡āϤāύāĻž āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āϏāĻ‚āĻ—āĻ āύ⧇āϰ āĻāĻ•āϟāĻŋ āĻ—āĻžāĻ› āĻāĻ•āϟāĻŋ āĻĒā§āϰāĻžāĻŖ āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽ āĻļ⧁āϰ⧁ āĻšā§Ÿ ā§Š āϜ⧁āϞāĻžāχ āĻšāϤ⧇āĨ¤ ā§Ģā§Ļā§Ļ āĻ—āĻžāĻ› āϰ⧋āĻĒāύ⧇āϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝ⧇ āĻ•...
13/08/2020

āĻāĻŦāĻ›āϰ Nabochetona / āύāĻŦāĻšā§‡āϤāύāĻž āϏāĻžāĻŽāĻžāϜāĻŋāĻ• āϏāĻ‚āĻ—āĻ āύ⧇āϰ āĻāĻ•āϟāĻŋ āĻ—āĻžāĻ› āĻāĻ•āϟāĻŋ āĻĒā§āϰāĻžāĻŖ āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽ āĻļ⧁āϰ⧁ āĻšā§Ÿ ā§Š āϜ⧁āϞāĻžāχ āĻšāϤ⧇āĨ¤ ā§Ģā§Ļā§Ļ āĻ—āĻžāĻ› āϰ⧋āĻĒāύ⧇āϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝ⧇ āĻ•āĻžāϜ āĻļ⧁āϰ⧁ āĻšā§ŸāĨ¤
āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽā§‡āϰ āϞāĻ•ā§āώ āĻĒā§‚āϰāύ āĻ•āϰāϤ⧇ āĻāĻ–āύāĻ“ ā§§ā§­ā§Ģ āϟāĻŋ āĻ—āĻžāĻ› āĻĒā§āĻ°ā§Ÿā§‹āϜāύāĨ¤
⧍⧧ āφāĻ—āĻˇā§āϟ āϝāĻļā§‹āϰ āĻļāĻšāϰ⧇āϰ āψāĻĻāĻ—āĻžāĻš āĻŽā§ŸāĻĻāĻžāύ āϏāĻš āĻ•ā§Ÿā§‡āĻ•āϟāĻŋ āĻ¸ā§āĻĨāĻžāύ⧇ āĻŦ⧃āĻ•ā§āώāϰ⧋āĻĒāύ āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽ āĻ•āϰāĻŦ⧇ Nabochetona BD.āĨ¤ āĻāĻ›āĻžā§œāĻž āĻŦ⧇āĻļ āĻ•āĻŋāϛ⧁ āϜāϞāϜ āĻ—āĻžāĻ›āĻ“ āĻ›ā§œāĻŋā§Ÿā§‡ āĻĻ⧇āĻ“ā§ŸāĻž āĻšāĻŦ⧇ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϜāϞāĻžāĻļā§Ÿā§‡āĨ¤
āĻ•āĻžāĻ°ā§āϝāĻ•ā§āϰāĻŽ āϏāĻĢāϞ āĻ•āϰāϤ⧇ āϏāĻŽāĻŽāύāĻž āϏāĻ•āϞ⧇āϰ āĻŦāĻŋāĻļ⧇āώ āĻ…āĻ‚āĻļāĻ—ā§āϰāĻšāύ āĻĒā§āϰāĻžāĻ°ā§āĻĨāύāĻž āĻ•āϰāĻ›āĻŋāĨ¤
āϏāĻŦ⧁āϜ āĻ›ā§œāĻŋā§Ÿā§‡ āĻĒ⧜⧁āĻ• āĻŦāĻŋāĻļā§āĻŦāĻŽā§ŸāĨ¤

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