08/06/2026
Tone: part science, part storytelling, part stubborn myth.
This month I take a run at the big question: what actually makes a guitar sound like it does? From tonewood legends to design choices that quietly do most of the heavy lifting, it’s a look at what really matters when you plug in or sit down to play.
Spoiler: it’s not just the wood.
Full article via link in bio.
21/05/2026
to some tasty shots of 's Cherry OM. Since the photos this guitar has been upgraded with a pair of pickups for isolating the bottom two strings to create some massive bottom end when they are performing live.
Most of the UK-grown fruit woods make exceptional sounding guitars. If you're considering getting a one-of-a-kind custom made instrument just get in touch to arrange a workshop visit and we can help guide you through the process of tonewood selection. 🪵
18/05/2026
A well-played guitar always tells a story.
In my latest blog post, I take this road-worn axe through a full restoration: fret levelling and crowning, fingerboard restoration, bridge adjustments, relocated fret markers and a handmade pair of moustache ends inspired by the original Selmer guitars of the 1940s.
Sometimes the most rewarding repairs aren’t about making a guitar look new — they’re about preserving the character that made it worth saving in the first place.
Read the full story now: https://www.alexbishopguitars.com/post/stairway-to-selmer-heaven
11/05/2026
What happens when a guitar maker starts questioning traditional tonewoods?
My latest blog explores British-grown timber, alternative woods in lutherie, and a long-term project inspired by the UK’s 50 Great British Trees. From Cedar of Lebanon to elm and redwood, I’m looking at how locally sourced materials might help shape the future sound of acoustic guitars.
I'll be bringing one of these guitars to . Read the full article on the website here:
https://www.alexbishopguitars.com/post/the-future-of-tonewood