Narthana Kala Shethra

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Narthana Kala Shethra A Classical Dance Training Institute, Korattur, Chennai.

Talapuṣpapuṭa is the first of the 108 Karanas described in the Natya Shastra.The name can be understood as: • Tala – pal...
09/06/2026

Talapuṣpapuṭa is the first of the 108 Karanas described in the Natya Shastra.

The name can be understood as:
• Tala – palm of the hand
• Pushpa – flower
• P**a – cupped or folded container

Together, Talapuṣpapuṭa means “hands cupped as though holding an offering of flowers.”

In this Karana:
• The hands are joined in Pushpaputa Hasta (cupped palms held together).
• The arms are gently extended in front of the body.
• The legs are positioned in a balanced stance, usually associated with Araimandi-like bending in Bharatanatyam reconstructions.
• The torso remains erect and graceful.
• The overall movement conveys offering, reverence, devotion, and auspiciousness.

Talapuṣpapuṭa represents:
• Offering flowers to a deity
• Prayer and worship
• Respect and surrender
• Welcoming divine presence

09/06/2026

According to the Natyashastra, there are 30 Nritta Hastas.

These 30 Nritta Hastas are described in the context of pure dance (Nritta) and are primarily used for creating rhythmic and decorative movements rather than conveying specific meanings.

The 30 Nritta Hastas are:
1. Chatura
2. Udhvrtta
3. Tala Mukha
4. Sw****ka
5. Viprakirna
6. Arala Katakamukha
7. Aviddha Vakra
8. Revataka
9. Suchimukha
10. Ardha Rechita
11. Uttana Vanchita
12. Pallava
13. Nitamba
14. Keshabandha
15. Lata
16. Karihasta
17. Paksha Vanchita
18. Paksha Dyotaka
19. Garuda Paksha
20. Danda Paksha
21. Urdhva Mandali
22. Parsva Mandali
23. Uromandali
24. Urah Parsva Mandali
25. Mushtika Sw****ka
26. Nalini Padmakosha
27. Alapallava
28. Ulbana
29. Lalita
30. Valita

A common point of confusion is that different dance traditions and texts sometimes organize or teach these hastas differently. However, the Natyashastra tradition recognizes 30 Nritta Hastas.

Banaprayooga – shooting an arrowKunthartha – SpearAlayasyasmrithikarma – thinking or remembering about the pastMarmukthy...
09/06/2026

Banaprayooga – shooting an arrow
Kunthartha – Spear
Alayasyasmrithikarma – thinking or remembering about the past
Marmukthyam – mystic feeling
Ugrabhava – angry mood

08/06/2026

In Bharatanatyam, Sattvika Abhinaya is the expression of true inner emotions and feelings. It is considered the most subtle and highest form of Abhinaya because it comes from the dancer’s mind and heart rather than external movements alone.

The word “Sattvika” is derived from Sattva, meaning inner purity, consciousness, and emotional truth.

What does Sattvika Abhinaya express?
• Joy (Harsha)
• Sorrow (Shoka)
• Fear (Bhaya)
• Anger (Krodha)
• Wonder (Vismaya)
• Devotion (Bhakti)
• Love (Prema)
• Compassion (Karuna)

Sattvika Bhavas (Involuntary Emotional Reactions)

Traditional texts describe eight Sattvika Bhavas:
1. Stambha – Stupefaction or stillness
2. Sveda – Perspiration
3. Romanchha – Goosebumps
4. Svara Bheda – Change in voice
5. Vepathu – Trembling
6. Vaivarnya – Change of complexion
7. Ashru – Tears
8. Pralaya – Fainting

Among the four types of Abhinaya—Angika, Vachika, Aharya, and Sattvika—Sattvika Abhinaya is often regarded as the soul of Bharatanatyam because it brings emotional depth and authenticity to the performance.

Vishadhyam amrutham paneshu – drinking poison or nectarPrachandapavana – violent wind
05/06/2026

Vishadhyam amrutham paneshu – drinking poison or nectar
Prachandapavana – violent wind

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No. 1, 57th Street, Opp. To Korattur Bus Stand, Korattur, Chennai/80
Chennai
600080

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