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*đŸŒē Arjuna's Hymn to Goddess Durga (English Translation) đŸŒē*

_From the Mahabharata, Bhishma Parva_

*Arjuna said —*

1. Salutations to you, O Commander of the divine army, O Noble One who dwells on Mount Mandara.
O Virgin, O Kali, O Wearer of skulls, O Tawny One, O Dark and Fierce-eyed One.

2. O Bhadrakali, salutations to you. O Mahakali, obeisance to you.
O Chandi, O Fierce Goddess, salutations to you. O Deliverer, O One of excellent complexion.

3. O Katyayani, O Greatly Fortunate One, O Terrifying One, O Victory, O Conqueror.
O Bearer of the banner with peacock feathers, O One adorned with many ornaments.

4. O Wielder of the loud-sounding spear, O Bearer of sword and shield.
O Younger sister of Krishna, the Chief of cowherds, O Elder One, O Born in the family of Nanda Gopa.

5. O Eternal Lover of the blood of Mahishasura, O Kaushiki, O Wearer of yellow garments.
O One with terrible laughter, O Wolf-faced One, salutations to you, O Lover of battle.

6. O Uma, O Shakambhari, O Fair One, O Dark One, O Slayer of Kaitabha.
O Golden-eyed One, O Odd-eyed One, O Smoky-eyed One, salutations to you.

7. O Vedic chant, O Greatly Holy One, O Essence of the Brahmanas, O Source of the Vedas.
O You who are eternally present in shrines among the Jambuka forests.

8. You are Brahmavidya among all knowledge, and the great sleep of all embodied beings.
O Mother of Skanda, O Blessed Goddess, O Durga, O Dweller of impassable forests.

9. You are the invocation _Svaha_, and also _Svadha_. You are Kala, Kashtha, and Saraswati.
You are Savitri, the Mother of the Vedas, and you are also called Vedanta.

10. You have been praised by me, O Great Goddess, with a pure inner soul.
May victory be mine always on the battlefield by your grace.

11. In forest perils and fortresses, and in the homes of devotees,
You eternally dwell even in the netherworld. In battle, you conquer the demons.

12. You are the Power of Paralysis, the Enchantress, Maya, Modesty, and Prosperity as well.
You are Dusk, you are Radiant, you are Savitri, and the Mother of all.

13. You are Contentment, Nourishment, Fortitude, and Splendor, O Increaser of the moon and sun.
You are the prosperity of the prosperous. In battle, you are seen by the Siddhas and Charanas.

*đŸŒē Thus ends Arjuna's Hymn to Goddess Durga in the Bhishma Parva of the Mahabharata. đŸŒē*
*🌸 Salutations to Goddess Durga 🌸*

Shubhamastu ,
Achariya Shankhaa

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30/05/2026

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āĻ•āϰāĻ¨ā§āϝāĻžāϏāσ đŸŒē
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āĻ§ā§āϝāĻžāύāĻŽā§ đŸŒē
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āĻĻ⧇āĻŦā§€āϰ āĻ§ā§āϝāĻžāύ
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āĻļ⧁āĻ­āĻŽāĻ¸ā§āϤ⧁,
Achariya ShankhaaāĨ¤

āφāĻŽāĻžāĻĻ⧇āϰ āĻĒ⧇āϜ
https://www.facebook.com/share/19MdMprPri/ āĻĢāϞ⧋ āĻ•āϰ⧁āύ āφāϰāĻ“ āĻāĻŽāύ āϤāĻĨā§āϝāĻŦāĻšā§āϞ āĻĒā§‹āĻ¸ā§āĻŸā§‡āϰ āϜāĻ¨ā§āϝāĨ¤

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đŸŒē🔱đŸŒē ŚrÄĢ ÅšrÄĢ CaṇḍÄĢ Curse-Removal (Śāpa-Vimocana) Mantra and Procedure đŸŒē🔱đŸŒē
This initiation and practice are traditionally regarded as a means of removing spiritual obstacles (śāpa) before undertaking the recitation of the CaṇḍÄĢ (Devi Mahatmyam). It is considered by some traditions to be a hidden and important preparatory practice for approaching the immense inner and outer power of the Divine Mother.
Invocation (Viniyoga) đŸŒē
"Om. For this ŚrÄĢ CaṇḍÄĢ Curse-Removal Mantra, the sages are Brahmā, VasiášŖáš­ha, and Viśvāmitra; the deity is ŚrÄĢ Caṇḍikā; HrÄĢᚁ is the seed (bÄĢja), KlÄĢᚁ is the power (śakti), Sauá¸Ĩ is the pin (kÄĢlaka). This is applied for the purpose of removing the curses given by Brahmā, VasiášŖáš­ha, and Viśvāmitra through the recitation of this mantra."
Hand Nyāsa (Kara-Nyāsa) đŸŒē
Om Hrāᚁ, salutations to the thumbs.
Om HrÄĢᚁ, svāhā to the index fingers.
Om HrÅĢᚁ, vaášŖaáš­ to the middle fingers.
Om Hraiᚁ, huᚁ to the ring fingers.
Om Hrauᚁ, vauášŖaáš­ to the little fingers.
Om Hraá¸Ĩ, phaáš­ to the palms and backs of the hands.
Limb Nyāsa (Aṅga-Nyāsa) đŸŒē
Om Hrāᚁ, salutations to the heart.
Om HrÄĢᚁ, svāhā to the head.
Om HrÅĢᚁ, vaášŖaáš­ to the crown.
Om Hraiᚁ, huᚁ to the protective armor.
Om Hrauᚁ, vauášŖaáš­ to the three eyes.
Om Hraá¸Ĩ, phaáš­ to the divine weapon.
Meditation (Dhyānam) đŸŒē
"Meditate upon the great Goddess seated upon the shoulders of a lion, adorned with various ornaments, four-armed, wearing a serpent as the sacred thread.
Holding a conch, discus, bow, and arrows, three-eyed, the mighty Goddess who destroyed the buffalo demon MahÄĢášŖÄsura."
Principal Curse-Removal Mantras đŸŒē
1.
"Om HrÄĢᚁ. O Caṇḍikā, be freed from the curses of Brahmā, VasiášŖáš­ha, and Viśvāmitra. Be liberated, be liberated. Svāhā."
2.
"Om Aiᚁ HrÄĢᚁ KlÄĢᚁ. O Great Durgā, remove the curse, remove the curse. Huᚁ Phaáš­."
3.
"O Durgā, when remembered, You remove the fear of all beings; when remembered by the peaceful and virtuous, You grant auspicious wisdom. Who other than You removes poverty, sorrow, and fear? Your heart is always compassionate for the welfare of all."
4.
"Om HrÄĢᚁ ŚrÄĢᚁ KlÄĢᚁ Cāmuṇḍāyai Vicce. Destroy, destroy the curses of Brahmā, VasiášŖáš­ha, and Viśvāmitra. Svāhā."
Prayer đŸŒē
"To that Goddess who abides in all beings as Divine Power, salutations to Her, salutations to Her, salutations again and again."
"O Auspicious One among all that is auspicious, O Śivā, accomplisher of all purposes, refuge of all, three-eyed GaurÄĢ, O NārāyaṇÄĢ, I bow to You."
Brief Instructions for Recitation đŸŒē
After reciting these curse-removal mantras, it is traditionally recommended to proceed in the following order:
Meditation on the Goddess (DevÄĢ Dhyāna)
DevÄĢ Kavaca (Protective Armor of the Goddess)
Argalā Stotra
KÄĢlaka Stotra
Navārṇa Mantra Japa
Tri-Rahasya (Three Mysteries)
Main CaṇḍÄĢ Pāᚭha (DevÄĢ Māhātmyam)
Different recensions of ta***ic texts, particularly the Rudra Yāmala Ta**ra and various versions of the DevÄĢ Māhātmyam, contain slight variations of these curse-removal mantras.

Subhamastu ,
Achariya Shankhaa đŸŒē🙏đŸģ

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āĻŦāĻŋāύāĻŋāϝāĻŧā§‹āĻ—āσ đŸŒē

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āĻļā§āϰ⧀āĻŽāĻšāĻžāĻ•āĻžāϞ⧀-āĻŽāĻšāĻžāϞāĻ•ā§āĻˇā§āĻŽā§€-āĻŽāĻšāĻžāϏāϰāĻ¸ā§āĻŦāϤ⧀ āĻĻ⧇āĻŦāϤāĻžāĨ¤
āĻšā§āϰ⧀āĻ‚ āĻŦā§€āϜāĻ‚, āĻļā§āϰ⧀āĻ‚ āĻļāĻ•ā§āϤāĻŋāσ, āĻ•ā§āϞ⧀āĻ‚ āϕ⧀āϞāĻ•āĻ‚āĨ¤
āĻļā§āϰ⧀āϚāĻŖā§āĻĄā§€āĻĒāĻžāϠ⧇ āĻļāĻžāĻĒāĻŦāĻŋāύāĻžāĻļāύāĻĻā§āĻŦāĻžāϰāĻž āϏāĻ°ā§āĻŦāϏāĻŋāĻĻā§āϧāĻŋāϞāĻžāĻ­āĻžāĻ°ā§āĻĨ⧇ āϜāĻĒ⧇ āĻŦāĻŋāύāĻŋāϝāĻŧā§‹āĻ—āσāĨĨ

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āĻ•āϰāĻ¨ā§āϝāĻžāϏāσ đŸŒē

āĻ“āρ āĻšā§āϰ⧀āĻ‚ āĻ…āĻ™ā§āϗ⧁āĻˇā§āĻ āĻžāĻ­ā§āϝāĻžāĻ‚ āύāĻŽāσāĨ¤
āĻ“āρ āĻļā§āϰ⧀āĻ‚ āϤāĻ°ā§āϜāύ⧀āĻ­ā§āϝāĻžāĻ‚ āĻ¸ā§āĻŦāĻžāĻšāĻžāĨ¤
āĻ“āρ āĻ•ā§āϞ⧀āĻ‚ āĻŽāĻ§ā§āϝāĻŽāĻžāĻ­ā§āϝāĻžāĻ‚ āĻŦāώāĻŸā§āĨ¤
āĻ“āρ āϚāĻžāĻŽā§āĻŖā§āĻĄāĻžāϝāĻŧ⧈ āĻ…āύāĻžāĻŽāĻŋāĻ•āĻžāĻ­ā§āϝāĻžāĻ‚ āĻšā§āρāĨ¤
āĻ“āρ āĻŦāĻŋāĻšā§āĻšā§‡ āĻ•āύāĻŋāĻˇā§āĻ āĻŋāĻ•āĻžāĻ­ā§āϝāĻžāĻ‚ āĻŦ⧌āώāĻŸā§āĨ¤
āĻ“āρ āϐāĻ‚ āĻšā§āϰ⧀āĻ‚ āĻ•ā§āϞ⧀āĻ‚ āĻ•āϰāϤāϞ-āĻ•āϰāĻĒ⧃āĻˇā§āĻ āĻžāĻ­ā§āϝāĻžāĻ‚ āĻĢāĻŸā§āĨĨ

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āĻ…āĻ™ā§āĻ—āĻ¨ā§āϝāĻžāϏāσ đŸŒē

āĻ“āρ āĻšā§āϰ⧀āĻ‚ āĻšā§ƒāĻĻāϝāĻŧāĻžāϝāĻŧ āύāĻŽāσāĨ¤
āĻ“āρ āĻļā§āϰ⧀āĻ‚ āĻļāĻŋāϰāϏ⧇ āĻ¸ā§āĻŦāĻžāĻšāĻžāĨ¤
āĻ“āρ āĻ•ā§āϞ⧀āĻ‚ āĻļāĻŋāĻ–āĻžāϝāĻŧ⧈ āĻŦāώāĻŸā§āĨ¤
āĻ“āρ āϚāĻžāĻŽā§āĻŖā§āĻĄāĻžāϝāĻŧ⧈ āĻ•āĻŦāϚāĻžāϝāĻŧ āĻšā§āρāĨ¤
āĻ“āρ āĻŦāĻŋāĻšā§āĻšā§‡ āύ⧇āĻ¤ā§āϰāĻ¤ā§āϰāϝāĻŧāĻžāϝāĻŧ āĻŦ⧌āώāĻŸā§āĨ¤
āĻ“āρ āϐāĻ‚ āĻšā§āϰ⧀āĻ‚ āĻ•ā§āϞ⧀āĻ‚ āĻ…āĻ¸ā§āĻ¤ā§āϰāĻžāϝāĻŧ āĻĢāĻŸā§āĨĨ

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āĻ§ā§āϝāĻžāύāĻŽā§ đŸŒē

āĻ“āρ āĻ•āĻžāϞāĻžāĻ­ā§āϰāĻžāĻ­āĻžāĻ‚ āĻ•āϟāĻžāĻ•ā§āώ⧈āϰāϰāĻŋāϕ⧁āϞāĻ­āϝāĻŧāĻĻāĻžāĻ‚ āĻŽā§ŒāϞāĻŋāĻŦāĻĻā§āϧ⧇āĻ¨ā§āĻĻ⧁āϰ⧇āĻ–āĻžāĻ‚
āĻļāĻ™ā§āĻ–āĻ‚ āϚāĻ•ā§āϰāĻ‚ āĻ•ā§ƒāĻĒāĻžāĻŖāĻ‚ āĻ¤ā§āϰāĻŋāĻļāĻŋāĻ–āĻŽāĻĒāĻŋ āĻ•āϰ⧈āϰ⧁āĻĻā§āĻŦāĻšāĻ¨ā§āϤ⧀āĻ‚ āĻ¤ā§āϰāĻŋāύ⧇āĻ¤ā§āϰāĻžāĻŽā§āĨĨ

āϏāĻŋāĻ‚āĻšāĻ¸ā§āĻ•āĻ¨ā§āϧāĻžāϧāĻŋāϰ⧂āĻĸāĻŧāĻžāĻ‚ āĻ¤ā§āϰāĻŋāϭ⧁āĻŦāύāĻŽāĻ–āĻŋāϞāĻ‚ āϤ⧇āϜāϏāĻž āĻĒā§‚āϰāϝāĻŧāĻ¨ā§āϤ⧀āĻ‚
āĻ§ā§āϝāĻžāϝāĻŧ⧇āĻĻā§āĻĻ⧁āĻ°ā§āĻ—āĻžāĻ‚ āϜāϝāĻŧāĻžāĻ–ā§āϝāĻžāĻ‚ āĻ¤ā§āϰāĻŋāĻĻāĻļāĻĒāϰāĻŋāĻŦ⧃āϤāĻžāĻ‚ āϏ⧇āĻŦāĻŋāϤāĻžāĻ‚ āϏāĻŋāĻĻā§āϧāĻŋāĻ•āĻžāĻŽā§ˆāσāĨĨ

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āĻŽā§‚āϞ āĻļāĻžāĻĒā§‹āĻĻā§āϧāĻžāϰ āĻŽāĻ¨ā§āĻ¤ā§āϰ đŸŒē

āĻ“āρ āϐāĻ‚ āĻšā§āϰ⧀āĻ‚ āĻ•ā§āϞ⧀āĻ‚ āϚāĻŖā§āĻĄāĻŋāĻ•āĻžāϝāĻŧ⧈
āĻŦā§āϰāĻšā§āĻŽāĻŦāϏāĻŋāĻˇā§āĻ āĻŦāĻŋāĻļā§āĻŦāĻžāĻŽāĻŋāĻ¤ā§āϰāĻļāĻžāĻĒāĻžāĻ¨ā§ āĻŽā§‹āϚāϝāĻŧ āĻŽā§‹āϚāϝāĻŧ āĻ¸ā§āĻŦāĻžāĻšāĻžāĨĨā§§āĨĨ

āĻ“āρ āĻšā§āϰ⧀āĻ‚ āĻŽāĻšāĻžāĻĻ⧇āĻŦā§āϝ⧈ āϚ āĻŦāĻŋāĻĻā§āĻŽāĻšā§‡
āϚāĻŖā§āĻĄāĻŋāĻ•āĻžāϝāĻŧ⧈ āϧ⧀āĻŽāĻšāĻŋ
āϤāĻ¨ā§āύ⧋ āĻĻ⧇āĻŦā§€ āĻĒā§āϰāĻšā§‹āĻĻāϝāĻŧāĻžāĻ¤ā§āĨĨ⧍āĨĨ

āĻ“āρ āĻšā§āϰ⧀āĻ‚ āĻļā§āϰ⧀āĻ‚ āĻĻ⧁āĻ‚ āĻĻ⧁āĻ°ā§āĻ—āĻžāϝāĻŧ⧈ āύāĻŽāσāĨ¤
āϏāĻ°ā§āĻŦāĻŦāĻžāϧāĻž-āĻŦāĻŋāύāĻŋāĻ°ā§āĻŽā§āĻ•ā§āϤ⧇ āϧāύ-āϧāĻžāĻ¨ā§āϝ-āϏ⧁āϤāĻžāĻ¨ā§āĻŦāĻŋāϤ⧇āĨ¤
āĻŽāύ⧁āĻˇā§āϝ⧋ āĻŽā§ŽāĻĒā§āϰāϏāĻžāĻĻ⧇āύ āĻ­āĻŦāĻŋāĻˇā§āϝāϤāĻŋ āύ āϏāĻ‚āĻļāϝāĻŧāσāĨĨā§ŠāĨĨ

āĻ“āρ āĻ•āĻžāϞ⧀ āĻ•āĻžāϞ⧀ āĻŽāĻšāĻžāĻ•āĻžāϞ⧀
āĻ•āĻžāϞāĻŋāϕ⧇ āĻĒāĻžāĻĒāĻšāĻžāϰāĻŋāĻŖā§€āĨ¤
āϧāĻ°ā§āĻŽāĻžāĻ°ā§āĻĨāĻŽā§‹āĻ•ā§āώāĻĻ⧇ āĻĻ⧇āĻŦā§€
āύāĻžāϰāĻžāϝāĻŧāĻŖā§€ āύāĻŽā§‹āĻ¸ā§āϤ⧁ āϤ⧇āĨĨā§ĒāĨĨ

āĻ“āρ āĻšā§āϰ⧀āĻ‚ āĻļā§āϰ⧀āĻ‚ āĻ•ā§āϞ⧀āĻ‚ āϚāĻžāĻŽā§āĻŖā§āĻĄāĻžāϝāĻŧ⧈ āĻŦāĻŋāĻšā§āĻšā§‡
āϏāĻ°ā§āĻŦāĻļāĻžāĻĒāĻŦāĻŋāύāĻžāĻļāĻŋāĻ¨ā§āϝ⧈ āĻ¸ā§āĻŦāĻžāĻšāĻžāĨĨā§ĢāĨĨ

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āĻ¸ā§āϤāĻŦ āĻ“ āĻĒā§āϰāĻžāĻ°ā§āĻĨāύāĻž đŸŒē

āĻĻ⧇āĻŦāĻŋ āĻĒā§āϰāĻĒāĻ¨ā§āύāĻžāĻ°ā§āϤāĻŋāĻšāϰ⧇ āĻĒā§āϰāϏ⧀āĻĻ
āĻĒā§āϰāϏ⧀āĻĻ āĻŽāĻžāϤāĻ°ā§āϜāĻ—āϤāσ ⤅⤖āĻŋāϞāĻ¸ā§āϝāĨ¤
āĻĒā§āϰāϏ⧀āĻĻ āĻŦāĻŋāĻļā§āĻŦ⧇āĻļā§āĻŦāϰāĻŋ āĻĒāĻžāĻšāĻŋ āĻŦāĻŋāĻļā§āĻŦāĻ‚
āĻ¤ā§āĻŦāĻŽā§€āĻļā§āĻŦāϰ⧀ āĻĻ⧇āĻŦāĻŋ āϚāϰāĻžāϚāϰāĻ¸ā§āϝāĨĨ

āϏāĻ°ā§āĻŦāĻ¸ā§āĻŦāϰ⧂āĻĒ⧇ āϏāĻ°ā§āĻŦ⧇āĻļ⧇
āϏāĻ°ā§āĻŦāĻļāĻ•ā§āϤāĻŋāϏāĻŽāĻ¨ā§āĻŦāĻŋāϤ⧇āĨ¤
āĻ­āϝāĻŧ⧇āĻ­ā§āϝāĻ¸ā§āĻ¤ā§āϰāĻžāĻšāĻŋ āύ⧋ āĻĻ⧇āĻŦāĻŋ
āĻĻ⧁āĻ°ā§āϗ⧇ āĻĻ⧇āĻŦāĻŋ āύāĻŽā§‹āĻ¸ā§āϤ⧁ āϤ⧇āĨĨ

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āĻĒāĻžāĻ āĻŦāĻŋāϧāĻŋ đŸŒē

āĻāχ āĻļāĻžāĻĒā§‹āĻĻā§āϧāĻžāϰ āĻŽāĻ¨ā§āĻ¤ā§āϰ āĻĒāĻžāϠ⧇āϰ āĻĒāϰ āϏāĻžāϧāĻžāϰāĻŖāĻ¤â€”

ā§§āĨ¤ āφāϚāĻŽāύ āĻ“ āĻļ⧁āĻĻā§āϧāĻŋ
⧍āĨ¤ āĻĻ⧇āĻŦā§€āϰ āĻ§ā§āϝāĻžāύ
ā§ŠāĨ¤ āĻĻ⧇āĻŦā§€āĻ•āĻŦāϚ
ā§ĒāĨ¤ āĻ…āĻ°ā§āĻ—āϞāĻžāĻ¸ā§āϤ⧋āĻ¤ā§āϰ
ā§ĢāĨ¤ āϕ⧀āϞāĻ•āĻ¸ā§āϤ⧋āĻ¤ā§āϰ
ā§ŦāĨ¤ āύāĻŦāĻ°ā§āĻŖ āĻŽāĻ¨ā§āĻ¤ā§āϰ āϜāĻĒ â€”
“āĻ“āρ āϐāĻ‚ āĻšā§āϰ⧀āĻ‚ āĻ•ā§āϞ⧀āĻ‚ āϚāĻžāĻŽā§āĻŖā§āĻĄāĻžāϝāĻŧ⧈ āĻŦāĻŋāĻšā§āĻšā§‡â€
ā§­āĨ¤ āĻ¤ā§āϰāĻŋāϰāĻšāĻ¸ā§āϝ āĻĒāĻžāĻ 
ā§ŽāĨ¤ āĻŽā§‚āϞ āĻļā§āϰ⧀āĻļā§āϰ⧀āϚāĻŖā§āĻĄā§€ āĻĒāĻžāĻ 

—āĻāχ āĻ•ā§āϰāĻŽ āĻ…āύ⧁āϏāϰāĻŖ āĻ•āϰāĻž āĻšāϝāĻŧāĨ¤

āĻāχ āĻĒāĻžāĻ āϭ⧇āĻĻāϟāĻŋ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϤāĻžāĻ¨ā§āĻ¤ā§āϰāĻŋāĻ• āϏāĻ‚āĻšāĻŋāϤāĻž, āĻŦāĻŋāĻļ⧇āώāϤ āϰ⧁āĻĻā§āϰāϝāĻžāĻŽāϞ āϤāĻ¨ā§āĻ¤ā§āϰ, āĻ•āĻžāĻ¤ā§āϝāĻžāϝāĻŧāύ⧀ āϤāĻ¨ā§āĻ¤ā§āϰ āĻāĻŦāĻ‚ āφāĻžā§āϚāϞāĻŋāĻ• āϚāĻŖā§āĻĄā§€āĻĒāĻžāĻ -āĻĒā§āϰāϚāϞāύ⧇ āĻĒāĻžāĻ“āϝāĻŧāĻž āϝāĻžāϝāĻŧāĨ¤

āĻļ⧁āĻ­āĻŽāĻ¸ā§āϤ⧁,
Achariya ShankhaaāĨ¤

āφāĻŽāĻžāĻĻ⧇āϰ āĻĒ⧇āϜ
https://www.facebook.com/share/19MdMprPri/ āĻĢāϞ⧋ āĻ•āϰ⧁āύ āφāϰāĻ“ āĻāĻŽāύ āϤāĻĨā§āϝāĻŦāĻšā§āϞ āĻĒā§‹āĻ¸ā§āĻŸā§‡āϰ āϜāĻ¨ā§āϝāĨ¤

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đŸŒē🔱đŸŒē The Shri Shri Chandi Shapoddhara / Shapabimochana Mantra is an ancient traditional variation of recitation. It is believed that without reciting this, the complete spiritual fruit of the Chandi Path is not attained. It is regarded as the key to entering that boundless divine power. đŸŒē🔱đŸŒē
Viniyoga (Statement of Purpose) đŸŒē
Om. Of this Shri Chandi Shapoddhara Mantra,
Brahma, Vasistha, and Vishwamitra are the sages.
Shri Mahakali, Mahalakshmi, and Mahasaraswati are the deities.
Hreem is the seed (bija), Shreem is the power (shakti), and Kleem is the pin (kilaka).
This is applied in the chanting of the Shri Chandi Path for the destruction of curses and the attainment of all siddhis (spiritual accomplishments).āĨĨ
Karanyasa (Sanctification of the Hands) đŸŒē
Om Hreem — salutations to the thumbs.
Om Shreem — svaha to the index fingers.
Om Kleem — vashat to the middle fingers.
Om Chamundayai — hum to the ring fingers.
Om Vichche — vaushat to the little fingers.
Om Aim Hreem Kleem — phat to the fronts and backs of the hands.āĨĨ
Anganyasa (Sanctification of the Body) đŸŒē
Om Hreem — salutations to the heart.
Om Shreem — svaha to the head.
Om Kleem — vashat to the crown lock (shikha).
Om Chamundayai — hum to the protective armor (kavacha).
Om Vichche — vaushat to the three eyes.
Om Aim Hreem Kleem — phat to the divine weapon.āĨĨ
Meditation (Dhyanam) đŸŒē
Meditate upon Goddess Durga, known as Jaya,
dark like storm clouds, whose sidelong glance strikes fear into hostile forces,
with the crescent moon adorning Her crown,
holding conch, discus, sword, and trident in Her hands,
the three-eyed Goddess riding upon a lion,
filling the three worlds with Her radiant splendor,
surrounded and worshipped by the gods,
and adored by seekers of spiritual accomplishment.āĨĨ
Main Shapoddhara Mantras đŸŒē
1.
Om Aim Hreem Kleem Chandikayai
Release, release the curses of Brahma, Vasistha, and Vishwamitra. SvahaāĨĨ
2.
Om Hreem. We meditate upon the Great Goddess;
we contemplate Chandika;
may that Divine Goddess inspire and guide us.āĨĨ
3.
Om Hreem Shreem Dum Durgayai NamahāĨ¤
Freed from all obstacles, endowed with wealth, grains, and children,
by My grace a person shall prosper — there is no doubt about it.āĨĨ
4.
Om Kali Kali Mahakali,
O Kalika, remover of sins,
O Goddess who grants righteousness, prosperity, and liberation,
O Narayani, salutations unto You.āĨĨ
5.
Om Hreem Shreem Kleem Chamundayai Vichche
Salutations and oblations to the destroyer of all curses. SvahaāĨĨ
Hymns and Prayers đŸŒē
O Goddess, remover of the sufferings of those who surrender unto You, be gracious.
Be gracious, O Mother of the entire universe.
O Mistress of the cosmos, protect this world.
You are the sovereign Goddess of all that moves and does not move.āĨĨ
O embodiment of all forms, O ruler of all,
endowed with every divine power,
protect us from all fears, O Goddess Durga.
Salutations unto You, O Devi.āĨĨ
Method of Recitation đŸŒē
After reciting this Shapoddhara Mantra, the following sequence is generally observed—
Achamana and purification
Meditation on the Goddess
Devi Kavacham
Argala Stotram
Kilaka Stotram
Navarna Mantra Japa —
“Om Aim Hreem Kleem Chamundayai Vichche”
Recitation of the Three Rahasyas
Main Shri Shri Chandi Path
—This order is traditionally followed.
This particular recitational tradition is found in various Ta***ic scriptures, especially in the Rudrayamala Ta**ra, Katyayani Ta**ra, and regional traditions of Chandi recitation.

Subhamastu ,
Achariya ShankhaaāĨ¤

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28/05/2026

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āĻ…āύ⧇āϕ⧇āχ “āĻŽāϞ āĻŽāĻžāĻ¸â€ āĻŦāĻž “āĻ…āϧāĻŋāĻ• āĻŽāĻžāĻ¸â€ āύāĻŋā§Ÿā§‡ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻĒā§āϰāĻļā§āύ āĻ•āϰ⧇āύāĨ¤ āϤāĻžāχ āĻŦāĻŋāώ⧟āϟāĻŋ āϏāĻšāϜāĻ­āĻžāĻŦ⧇ āϤ⧁āϞ⧇ āϧāϰāĻžāϰ āĻšā§‡āĻˇā§āϟāĻž āĻ•āϰāϞāĻžāĻŽāĨ¤

āĻŽāϞ āĻŽāĻžāϏ āĻŦāĻž āĻ…āϧāĻŋāĻ• āĻŽāĻžāϏ āϕ⧀?

āĻšāĻŋāĻ¨ā§āĻĻ⧁ āϚāĻžāĻ¨ā§āĻĻā§āϰ āĻĒāĻžā§āϜāĻŋāĻ•āĻž āϚāĻžāρāĻĻ⧇āϰ āφāĻŦāĻ°ā§āϤāύ⧇āϰ āωāĻĒāϰ āύāĻŋāĻ°ā§āĻ­āϰ āĻ•āϰ⧇ āϤ⧈āϰāĻŋāĨ¤ āϏ⧇āχ āĻšāĻŋāϏ⧇āĻŦ⧇ āĻāĻ•āϟāĻŋ āϚāĻžāĻ¨ā§āĻĻā§āϰ āĻŦāĻ›āϰ āĻĒā§āϰāĻžā§Ÿ ā§Šā§Ģā§Ē āĻĻāĻŋāύ⧇āϰ āĻšā§ŸāĨ¤ āĻ•āĻŋāĻ¨ā§āϤ⧁ āϏ⧌āϰ āĻŦāĻ›āϰ āĻšā§Ÿ āĻĒā§āϰāĻžā§Ÿ ā§Šā§Ŧā§Ģ āĻĻāĻŋāύ⧇āϰāĨ¤ āĻĢāϞ⧇ āĻĒā§āϰāϤāĻŋ āĻŦāĻ›āϰ āĻĒā§āϰāĻžā§Ÿ ā§§ā§§ āĻĻāĻŋāύ⧇āϰ āĻāĻ•āϟāĻŋ āĻĒāĻžāĻ°ā§āĻĨāĻ•ā§āϝ āĻĨ⧇āϕ⧇ āϝāĻžā§ŸāĨ¤

āĻāχ āĻĒāĻžāĻ°ā§āĻĨāĻ•ā§āϝ āϏāĻŽāĻ¨ā§āĻŦ⧟ āĻ•āϰāĻžāϰ āϜāĻ¨ā§āϝ āĻĒā§āϰāĻžā§Ÿ āϤāĻŋāύ āĻŦāĻ›āϰ āĻ…āĻ¨ā§āϤāϰ āĻĒāĻžā§āϜāĻŋāĻ•āĻžā§Ÿ āĻāĻ•āϟāĻŋ āĻ…āϤāĻŋāϰāĻŋāĻ•ā§āϤ āĻŽāĻžāϏ āϝ⧋āĻ— āĻ•āϰāĻž āĻšā§ŸāĨ¤ āĻāχ āĻ…āϤāĻŋāϰāĻŋāĻ•ā§āϤ āĻŽāĻžāϏāχ “āĻ…āϧāĻŋāĻ• āĻŽāĻžāĻ¸â€, āϝāĻž āĻ…āύ⧇āĻ• āϜāĻžā§ŸāĻ—āĻžā§Ÿ “āĻŽāϞ āĻŽāĻžāĻ¸â€ āĻŦāĻž “āĻĒ⧁āϰ⧁āώ⧋āĻ¤ā§āϤāĻŽ āĻŽāĻžāĻ¸â€ āύāĻžāĻŽā§‡āĻ“ āĻĒāϰāĻŋāϚāĻŋāϤāĨ¤

āϕ⧇āύ āĻāχ āĻŽāĻžāϏ⧇ āĻļ⧁āĻ­ āĻ•āĻžāϜ āĻā§œāĻŋā§Ÿā§‡ āϚāϞāĻž āĻšā§Ÿ?

āĻļāĻžāĻ¸ā§āĻ¤ā§āϰāĻŽāϤ⧇, āϝ⧇ āĻŽāĻžāϏ⧇ āϏ⧂āĻ°ā§āϝ⧇āϰ āϕ⧋āύ⧋ āϏāĻ‚āĻ•ā§āϰāĻžāĻ¨ā§āϤāĻŋ āĻšā§Ÿ āύāĻž āĻ…āĻ°ā§āĻĨāĻžā§Ž āϏ⧂āĻ°ā§āϝ āĻāĻ• āϰāĻžāĻļāĻŋ āĻĨ⧇āϕ⧇ āĻ…āĻ¨ā§āϝ āϰāĻžāĻļāĻŋāϤ⧇ āĻĒā§āϰāĻŦ⧇āĻļ āĻ•āϰ⧇ āύāĻž, āϏ⧇āχ āĻŽāĻžāϏāϕ⧇ āĻ…āϧāĻŋāĻ• āĻŽāĻžāϏ āĻŦāϞāĻž āĻšā§ŸāĨ¤ āĻāϜāĻ¨ā§āϝ āĻāχ āϏāĻŽā§Ÿāϕ⧇ āϏāĻžāϧāĻžāϰāĻŖ āĻļ⧁āĻ­ āĻŦāĻž āϜāĻžāĻ—āϤāĻŋāĻ• āĻ•āĻžāĻœā§‡āϰ āϜāĻ¨ā§āϝ āĻ…āύ⧁āϕ⧂āϞ āϧāϰāĻž āĻšā§Ÿ āύāĻžāĨ¤

āĻāχ āĻŽāĻžāϏ⧇ āϏāĻžāϧāĻžāϰāĻŖāϤ āϝ⧇āϏāĻŦ āĻ•āĻžāϜ āĻ•āϰāĻž āĻĨ⧇āϕ⧇ āĻŦāĻŋāϰāϤ āĻĨāĻžāĻ•āĻž āĻšā§Ÿâ€”

āĻŦāĻŋāĻŦāĻžāĻš

āĻ—ā§ƒāĻšāĻĒā§āϰāĻŦ⧇āĻļ

āĻ…āĻ¨ā§āύāĻĒā§āϰāĻžāĻļāύ

āύāϤ⧁āύ āĻŦā§āϝāĻŦāϏāĻž āĻļ⧁āϰ⧁

āĻŦ⧜ āϧāϰāύ⧇āϰ āĻļ⧁āĻ­ āĻ…āύ⧁āĻˇā§āĻ āĻžāύ

āĻ•āĻžāϰāĻŖ āĻŽāύ⧇ āĻ•āϰāĻž āĻšā§Ÿ, āĻāχ āϏāĻŽā§ŸāϟāĻŋ āĻ­ā§‹āĻ—-āĻŦāĻŋāϞāĻžāϏ āĻŦāĻž āϜāĻžāĻ—āϤāĻŋāĻ• āϏāĻžāĻĢāĻ˛ā§āϝ⧇āϰ āϜāĻ¨ā§āϝ āύ⧟; āĻŦāϰāĻ‚ āĻ­āĻ•ā§āϤāĻŋ, āϏāĻžāϧāύāĻž āĻ“ āφāĻ¤ā§āĻŽāĻļ⧁āĻĻā§āϧāĻŋāϰ āϜāĻ¨ā§āϝ āĻŦ⧇āĻļāĻŋ āωāĻĒāϝ⧋āĻ—ā§€āĨ¤

“āĻĒ⧁āϰ⧁āώ⧋āĻ¤ā§āϤāĻŽ āĻŽāĻžāĻ¸â€ āύāĻžāĻŽā§‡āϰ āĻĒ⧇āĻ›āύ⧇āϰ āĻ•āĻžāĻšāĻŋāύāĻŋ

āĻĒ⧁āϰāĻžāϪ⧇ āωāĻ˛ā§āϞ⧇āĻ– āφāϛ⧇, āĻāĻ•āϏāĻŽā§Ÿ āĻāχ āĻŽāĻžāϏāϕ⧇ āϏāĻŦāĻžāχ āĻ…āĻŦāĻšā§‡āϞāĻž āĻ•āϰāϤ āĻāĻŦāĻ‚ āĻ…āĻļ⧁āĻ­ āĻŽāύ⧇ āĻ•āϰāϤāĨ¤ āϤāĻ–āύ āĻāχ āĻŽāĻžāϏ āĻ­āĻ—āĻŦāĻžāύ āĻŦāĻŋāĻˇā§āϪ⧁āϰ āĻ•āĻžāϛ⧇ āφāĻļā§āϰ⧟ āĻĒā§āϰāĻžāĻ°ā§āĻĨāύāĻž āĻ•āϰ⧇āĨ¤ āĻ­āĻ—āĻŦāĻžāύ āĻŦāĻŋāĻˇā§āϪ⧁ āĻ•āϰ⧁āĻŖāĻžāĻŦāĻļāϤ āύāĻŋāĻœā§‡āϰ “āĻĒ⧁āϰ⧁āώ⧋āĻ¤ā§āϤāĻŽâ€ āύāĻžāĻŽ āĻāχ āĻŽāĻžāϏāϕ⧇ āĻĻāĻžāύ āĻ•āϰ⧇āύāĨ¤ āϏ⧇āχ āĻĨ⧇āϕ⧇āχ āĻāϟāĻŋ “āĻĒ⧁āϰ⧁āώ⧋āĻ¤ā§āϤāĻŽ āĻŽāĻžāĻ¸â€ āύāĻžāĻŽā§‡ āĻĒāϰāĻŋāϚāĻŋāϤ āĻšā§ŸāĨ¤

āĻāĻ›āĻžā§œāĻžāĻ“ āĻŦāϞāĻž āĻšā§Ÿ, āĻāχ āĻŽāĻžāϏ⧇ āĻ­āĻ•ā§āϤāĻŋāĻ­āϰ⧇ āψāĻļā§āĻŦāϰ⧇āϰ āφāϰāĻžāϧāύāĻž āĻ•āϰāϞ⧇ āĻŦāĻŋāĻļ⧇āώ āĻĒ⧁āĻŖā§āϝ āϞāĻžāĻ­ āĻšā§ŸāĨ¤

āĻāχ āĻŽāĻžāϏ⧇āϰ āφāĻ§ā§āϝāĻžāĻ¤ā§āĻŽāĻŋāĻ• āϗ⧁āϰ⧁āĻ¤ā§āĻŦ

āϝāĻĻāĻŋāĻ“ āĻ…āύ⧇āϕ⧇ āĻŽāϞ āĻŽāĻžāϏāϕ⧇ āĻ…āĻļ⧁āĻ­ āĻŦāϞ⧇ āĻŽāύ⧇ āĻ•āϰ⧇āύ, āĻ•āĻŋāĻ¨ā§āϤ⧁ āφāĻ§ā§āϝāĻžāĻ¤ā§āĻŽāĻŋāĻ• āĻĻ⧃āĻˇā§āϟāĻŋāϕ⧋āĻŖ āĻĨ⧇āϕ⧇ āĻāϟāĻŋ āĻ…āĻ¤ā§āϝāĻ¨ā§āϤ āĻĒāĻŦāĻŋāĻ¤ā§āϰ āĻ“ āϤāĻžā§ŽāĻĒāĻ°ā§āϝāĻĒā§‚āĻ°ā§āĻŖ āϏāĻŽā§ŸāĨ¤

āĻāχ āĻŽāĻžāϏ āĻŽāĻžāύ⧁āώāϕ⧇ āĻĒāĻžāĻ°ā§āĻĨāĻŋāĻŦ āĻŦā§āϝāĻ¸ā§āϤāϤāĻž āĻĨ⧇āϕ⧇ āĻ•āĻŋāϛ⧁āϟāĻž āĻĻā§‚āϰ⧇ āϰ⧇āϖ⧇ āφāĻ¤ā§āĻŽāϏāĻ‚āϝāĻŽ āĻ“ āψāĻļā§āĻŦāϰāϚāĻŋāĻ¨ā§āϤāĻžāϰ āĻĻāĻŋāϕ⧇ āĻŽāύ⧋āύāĻŋāĻŦ⧇āĻļ āĻ•āϰāϤ⧇ āĻ‰ā§ŽāϏāĻžāĻšāĻŋāϤ āĻ•āϰ⧇āĨ¤

āĻāχ āϏāĻŽā§Ÿā§‡ āĻŦāĻŋāĻļ⧇āώāĻ­āĻžāĻŦ⧇ āϗ⧁āϰ⧁āĻ¤ā§āĻŦ āĻĻ⧇āĻ“ā§ŸāĻž āĻšā§Ÿâ€”

āϜāĻĒ āĻ“ āĻĒā§āϰāĻžāĻ°ā§āĻĨāύāĻž

āϧāĻ°ā§āĻŽāĻ—ā§āϰāĻ¨ā§āĻĨ āĻĒāĻžāĻ 

āĻĻāĻžāύ āĻ“ āϏ⧇āĻŦāĻžāĻŽā§‚āϞāĻ• āĻ•āĻžāϜ

āωāĻĒāĻŦāĻžāϏ āĻ“ āĻ­āĻ•ā§āϤāĻŋ

āφāĻ¤ā§āĻŽāύāĻŋ⧟āĻ¨ā§āĻ¤ā§āϰāĻŖ āĻ“ āϏāĻ‚āϝāĻŽ

āĻāĻ• āĻ•āĻĨāĻžā§Ÿ āĻŦāϞāϤ⧇ āϗ⧇āϞ⧇ āĻŽāϞ āĻŽāĻžāϏ āĻŦāĻžāĻšā§āϝāĻŋāĻ• āĻļ⧁āĻ­ āĻ•āĻžāĻœā§‡āϰ āϜāĻ¨ā§āϝ āϏ⧀āĻŽāĻŋāϤ āĻšāϞ⧇āĻ“, āφāĻ¤ā§āĻŽāĻŋāĻ• āωāĻ¨ā§āύāϤāĻŋ, āĻ­āĻ•ā§āϤāĻŋ āĻ“ āĻŽāĻžāύāϏāĻŋāĻ• āĻļ⧁āĻĻā§āϧāĻŋāϰ āϜāĻ¨ā§āϝ āĻ…āĻ¤ā§āϝāĻ¨ā§āϤ āĻŽā§‚āĻ˛ā§āϝāĻŦāĻžāύ āĻāĻ•āϟāĻŋ āϏāĻŽā§ŸāĨ¤ āϤāĻžāχ āĻāχ āĻŽāĻžāϏāϕ⧇ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ “āĻ…āĻļ⧁āĻ­â€ āĻšāĻŋāϏ⧇āĻŦ⧇ āύāĻž āĻĻ⧇āϖ⧇, āφāĻ§ā§āϝāĻžāĻ¤ā§āĻŽāĻŋāĻ• āϏāĻžāϧāύāĻžāϰ āĻŦāĻŋāĻļ⧇āώ āϏ⧁āϝ⧋āĻ— āĻšāĻŋāϏ⧇āĻŦ⧇ āĻĻ⧇āĻ–āĻž āωāϚāĻŋāϤāĨ¤

āĻļ⧁āĻ­āĻŽāĻ¸ā§āϤ⧁,
Achariya ShankhaaāĨ¤

āφāĻŽāĻžāĻĻ⧇āϰ āĻĒ⧇āϜ
https://www.facebook.com/share/19MdMprPri/ āĻĢāϞ⧋ āĻ•āϰ⧁āύ āφāϰāĻ“ āĻāĻŽāύ āϤāĻĨā§āϝāĻŦāĻšā§āϞ āĻĒā§‹āĻ¸ā§āĻŸā§‡āϰ āϜāĻ¨ā§āϝāĨ¤

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Many people often ask about “Mala Maas” or “Adhik Maas,” so I tried to explain the topic in a simple way.
What is Mala Maas or Adhik Maas?
The Hindu lunar calendar is based on the movement of the Moon. According to this system, a lunar year consists of approximately 354 days, whereas a solar year has about 365 days. As a result, a difference of nearly 11 days accumulates every year.
To balance this difference, an extra month is added to the calendar roughly once every three years. This additional month is known as “Adhik Maas,” which is also referred to in many places as “Mala Maas” or “Purushottam Maas.”
Why are auspicious ceremonies generally avoided during this month?
According to Hindu scriptures, the month in which the Sun does not transit from one zodiac sign to another (that is, when no Sankranti occurs) is called Adhik Maas. For this reason, this period is generally not considered favorable for worldly or auspicious activities.
During this month, people usually avoid activities such as—
Marriage ceremonies
Housewarming rituals
Annaprashan (first rice-feeding ceremony)
Starting a new business
Large auspicious celebrations
It is believed that this period is not meant for material enjoyment or worldly success, but rather for devotion, spiritual practices, and self-purification.
The Story Behind the Name “Purushottam Maas”
According to the Puranas, there was a time when this month was neglected by everyone and considered inauspicious. Feeling rejected, the month sought refuge in Lord Vishnu. Out of compassion, Lord Vishnu bestowed upon it His own title, “Purushottam.” Since then, the month has been known as “Purushottam Maas.”
It is also believed that sincere worship and devotion during this month bring special spiritual merit and blessings.
The Spiritual Importance of This Month
Although many people consider Mala Maas inauspicious, from a spiritual perspective it is regarded as an extremely sacred and meaningful time.
This month encourages people to step away from worldly distractions and focus more deeply on self-discipline and remembrance of God.
Special emphasis is given during this period to—
Chanting and prayers
Reading sacred scriptures
Charity and service
Fasting and devotion
Self-control and discipline
In short, while Mala Maas may be considered unsuitable for certain worldly auspicious events, it is highly valuable for spiritual growth, devotion, and inner purification. Therefore, instead of viewing this month merely as “inauspicious,” it should be seen as a special opportunity for spiritual practice.

Subhamastu,

Achariya Shankhaa.

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https://www.facebook.com/share/p/18eVv5rLnt/?mibextid=wwXIfr
27/05/2026

https://www.facebook.com/share/p/18eVv5rLnt/?mibextid=wwXIfr

đŸŒē āύāĻŦāĻ—ā§āϰāĻš āĻŽāĻ™ā§āĻ—āϞāĻžāĻˇā§āϟāĻ•āĻŽā§ — āϏāĻšāϜ āĻŦāĻžāĻ‚āϞāĻž āĻ­āĻžāώāĻžā§Ÿ āĻ…āĻ°ā§āĻĨ, āĻŽāĻžāĻšāĻžāĻ¤ā§āĻŽā§āϝ āĻ“ āĻĒāĻžāĻ āĻŦāĻŋāϧāĻŋ đŸŒē
āύāĻŦāĻ—ā§āϰāĻš āĻŽāĻ™ā§āĻ—āϞāĻžāĻˇā§āϟāĻ•āĻŽā§ āĻšāϞ āĻāĻŽāύ āĻāĻ• āĻĒāĻŦāĻŋāĻ¤ā§āϰ āĻ¸ā§āϤ⧋āĻ¤ā§āϰ, āϝ⧇āĻ–āĻžāύ⧇ āύāĻŦāĻ—ā§āϰāĻšâ€”āϏ⧂āĻ°ā§āϝ, āϚāĻ¨ā§āĻĻā§āϰ, āĻŽāĻ™ā§āĻ—āϞ, āĻŦ⧁āϧ, āĻŦ⧃āĻšāĻ¸ā§āĻĒāϤāĻŋ, āĻļ⧁āĻ•ā§āϰ, āĻļāύāĻŋ, āϰāĻžāĻšā§ āĻ“ āϕ⧇āϤ⧁āϰ āĻ•ā§ƒāĻĒāĻž āĻĒā§āϰāĻžāĻ°ā§āĻĨāύāĻž āĻ•āϰāĻž āĻšā§ŸāĨ¤
āĻšāĻŋāĻ¨ā§āĻĻ⧁ āĻļāĻžāĻ¸ā§āĻ¤ā§āϰāĻŽāϤ⧇, āĻŽāĻžāύ⧁āώ⧇āϰ āĻœā§€āĻŦāύ⧇ āϏ⧁āĻ–-āĻĻ⧁āσāĻ–, āϏāĻžāĻĢāĻ˛ā§āϝ-āĻŦāĻžāϧāĻž āĻ“ āĻŽāĻžāύāϏāĻŋāĻ• āĻ…āĻŦāĻ¸ā§āĻĨāĻžāϰ āωāĻĒāϰ āĻ—ā§āϰāĻšāĻĻ⧇āϰ āĻŦāĻŋāĻļ⧇āώ āĻĒā§āϰāĻ­āĻžāĻŦ āĻ°ā§Ÿā§‡āϛ⧇āĨ¤ āĻāχ āĻ¸ā§āϤ⧋āĻ¤ā§āϰ āĻĒāĻžāĻ  āĻ•āϰāϞ⧇ āϏ⧇āχ āĻ…āĻļ⧁āĻ­ āĻĒā§āϰāĻ­āĻžāĻŦ āĻĒā§āϰāĻļāĻŽāĻŋāϤ āĻšā§Ÿ āĻāĻŦāĻ‚ āĻļ⧁āĻ­ āĻļāĻ•ā§āϤāĻŋāϰ āĻŦ⧃āĻĻā§āϧāĻŋ āϘāĻŸā§‡ āĻŦāϞ⧇ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ•āϰāĻž āĻšā§ŸāĨ¤
🌞 ā§§āĨ¤ āϏ⧂āĻ°ā§āϝāĻĻ⧇āĻŦ
āĻ…āĻ—ā§āύāĻŋāĻŽā§Ÿ āĻœā§āϝ⧋āϤāĻŋāϰ āĻ…āϧāĻŋāĻ•āĻžāϰ⧀ āϏ⧂āĻ°ā§āϝāĻĻ⧇āĻŦ āĻ•āĻžāĻļā§āϝāĻĒ āĻ‹āώāĻŋāϰ āĻŦāĻ‚āĻļāϜāĻžāϤ āĻāĻŦāĻ‚ āϏāĻŋāĻ‚āĻš āϰāĻžāĻļāĻŋāϰ āĻ…āϧāĻŋāĻĒāϤāĻŋāĨ¤
āϤāĻŋāύāĻŋ āĻļāĻ•ā§āϤāĻŋ, āφāĻ¤ā§āĻŽāĻŦāĻŋāĻļā§āĻŦāĻžāϏ, āĻ¸ā§āĻŦāĻžāĻ¸ā§āĻĨā§āϝ āĻ“ āύ⧇āϤ⧃āĻ¤ā§āĻŦ⧇āϰ āĻĒā§āϰāϤ⧀āĻ•āĨ¤
āϗ⧁āϰ⧁, āϚāĻ¨ā§āĻĻā§āϰ āĻ“ āĻŽāĻ™ā§āĻ—āϞ āϤāĻžāρāϰ āĻŽāĻŋāĻ¤ā§āϰ, āφāϰ āĻļ⧁āĻ•ā§āϰ āĻ“ āĻļāύāĻŋ āϤāĻžāρāϰ āĻĒā§āϰāϤāĻŋāĻĻā§āĻŦāĻ¨ā§āĻĻā§āĻŦā§€ āĻŦāϞ⧇ āωāĻ˛ā§āϞ⧇āĻ– āĻ•āϰāĻž āĻšā§Ÿā§‡āϛ⧇āĨ¤
āϏ⧇āχ āĻĻāĻŋāĻŦāĻžāĻ•āϰ āϏ⧂āĻ°ā§āϝāĻĻ⧇āĻŦ āφāĻŽāĻžāĻĻ⧇āϰ āĻœā§€āĻŦāύ āφāϞ⧋āĻ•āĻŋāϤ āĻ•āϰ⧁āύ āĻāĻŦāĻ‚ āϏāĻ°ā§āĻŦāĻĻāĻž āĻŽāĻ™ā§āĻ—āϞ āĻĻāĻžāύ āĻ•āϰ⧁āύāĨ¤
🌙 ⧍āĨ¤ āϚāĻ¨ā§āĻĻā§āϰāĻĻ⧇āĻŦ
āĻļ⧁āĻ­ā§āϰ āĻ“ āĻļāĻžāĻ¨ā§āϤāĻŋāĻŽā§Ÿ āϚāĻ¨ā§āĻĻā§āϰāĻĻ⧇āĻŦ āĻ•āĻ°ā§āĻ•āϟ āϰāĻžāĻļāĻŋāϰ āĻ…āϧāĻŋāĻĒāϤāĻŋ āĻāĻŦāĻ‚ āĻ…āĻ¤ā§āϰāĻŋ āĻ‹āώāĻŋāϰ āĻŦāĻ‚āĻļ⧇ āϜāĻ¨ā§āĻŽāĻ—ā§āϰāĻšāĻŖ āĻ•āϰ⧇āύāĨ¤
āϤāĻŋāύāĻŋ āĻŽāύ, āĻ…āύ⧁āĻ­ā§‚āϤāĻŋ, āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻž āĻ“ āĻŽāĻžāύāϏāĻŋāĻ• āĻļāĻžāĻ¨ā§āϤāĻŋāϰ āĻĒā§āϰāϤ⧀āĻ•āĨ¤
āĻļāĻŋāĻŦ āĻ“ āωāĻŽāĻžāĻĻ⧇āĻŦā§€āϰ āĻĒā§āϰāĻŋ⧟ āĻāχ āϚāĻ¨ā§āĻĻā§āϰāĻĻ⧇āĻŦ āĻŽāĻžāύ⧁āώ⧇āϰ āĻŽāύāϕ⧇ āϕ⧋āĻŽāϞ āĻ“ āĻ¸ā§āĻĨāĻŋāϰ āĻ•āϰ⧇āύāĨ¤
āϏ⧇āχ āϚāĻ¨ā§āĻĻā§āϰāĻĻ⧇āĻŦ āφāĻŽāĻžāĻĻ⧇āϰ āĻœā§€āĻŦāύ⧇ āĻļāĻžāĻ¨ā§āϤāĻŋ āĻ“ āϏ⧁āĻ– āĻĻāĻžāύ āĻ•āϰ⧁āύāĨ¤
đŸ”Ĩ ā§ŠāĨ¤ āĻŽāĻ™ā§āĻ—āϞāĻĻ⧇āĻŦ
āϭ⧌āĻŽ āĻŦāĻž āĻŽāĻ™ā§āĻ—āϞāĻĻ⧇āĻŦ āĻļāĻ•ā§āϤāĻŋ, āϏāĻžāĻšāϏ āĻ“ āĻĒāϰāĻžāĻ•ā§āϰāĻŽā§‡āϰ āĻĒā§āϰāϤ⧀āĻ•āĨ¤
āϤāĻŋāύāĻŋ āĻŽā§‡āώ āĻ“ āĻŦ⧃āĻļā§āϚāĻŋāĻ• āϰāĻžāĻļāĻŋāϰ āĻ…āϧāĻŋāĻĒāϤāĻŋ āĻāĻŦāĻ‚ āĻĻāĻ•ā§āώāĻŋāĻŖ āĻĻāĻŋāϕ⧇āϰ āϰāĻ•ā§āώāĻ•āĨ¤
āϏ⧂āĻ°ā§āϝ āĻ“ āϚāĻ¨ā§āĻĻā§āϰ āϤāĻžāρāϰ āĻŦāĻ¨ā§āϧ⧁, āĻ•āĻŋāĻ¨ā§āϤ⧁ āĻŦ⧁āϧ⧇āϰ āϏāĻ™ā§āϗ⧇ āϤāĻžāρāϰ āĻŦāĻŋāϰ⧋āϧ āĻ°ā§Ÿā§‡āϛ⧇āĨ¤
āϝ⧁āĻĻā§āϧāĻļāĻ•ā§āϤāĻŋ, āĻ­ā§‚āĻŽāĻŋ āĻ“ āφāĻ¤ā§āĻŽāϰāĻ•ā§āώāĻžāϰ āϏāĻ™ā§āϗ⧇ āϤāĻžāρāϰ āĻŦāĻŋāĻļ⧇āώ āϏāĻŽā§āĻĒāĻ°ā§āĻ• āĻ°ā§Ÿā§‡āϛ⧇āĨ¤
āϏ⧇āχ āĻ…āϰ⧁āĻŖāĻŦāĻ°ā§āĻŖ āĻŽāĻ™ā§āĻ—āϞāĻĻ⧇āĻŦ āφāĻŽāĻžāĻĻ⧇āϰ āϏāĻžāĻšāϏ āĻ“ āϏ⧁āϰāĻ•ā§āώāĻž āĻĻāĻžāύ āĻ•āϰ⧁āύāĨ¤
đŸŒŋ ā§ĒāĨ¤ āĻŦ⧁āϧāĻĻ⧇āĻŦ
āĻĒā§€āϤāĻŦāĻ°ā§āĻŖ āĻŦ⧁āϧāĻĻ⧇āĻŦ āĻœā§āĻžāĻžāύ, āĻŦ⧁āĻĻā§āϧāĻŋ, āĻŦāĻžāĻ•āĻļāĻ•ā§āϤāĻŋ āĻ“ āĻŦā§āϝāĻŦāϏāĻžāϰ āĻ…āϧāĻŋāĻĒāϤāĻŋāĨ¤
āϤāĻŋāύāĻŋ āĻŽāĻŋāĻĨ⧁āύ āĻ“ āĻ•āĻ¨ā§āϝāĻž āϰāĻžāĻļāĻŋāϰ āĻ¸ā§āĻŦāĻžāĻŽā§€āĨ¤
āĻŦāĻŋāĻˇā§āϪ⧁ āϤāĻžāρāϰ āĻ…āϧāĻŋāĻĻ⧇āĻŦāϤāĻž āĻŦāϞ⧇ āĻŽāĻžāύāĻž āĻšā§ŸāĨ¤
āĻŦ⧁āĻĻā§āϧāĻŋāĻŽāĻ¤ā§āϤāĻž, āĻļāĻŋāĻ•ā§āώāĻžāϞāĻžāĻ­ āĻ“ āϝ⧋āĻ—āĻžāϝ⧋āĻ— āĻĻāĻ•ā§āώāϤāĻž āĻŦ⧃āĻĻā§āϧāĻŋāϰ āϜāĻ¨ā§āϝ āĻŦ⧁āϧāĻĻ⧇āĻŦ⧇āϰ āĻ•ā§ƒāĻĒāĻž āĻŦāĻŋāĻļ⧇āώ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖāĨ¤
āϏ⧇āχ āϏ⧌āĻŽā§āϝ āĻŦ⧁āϧāĻĻ⧇āĻŦ āφāĻŽāĻžāĻĻ⧇āϰ āĻœā§€āĻŦāύ⧇ āĻœā§āĻžāĻžāύ āĻ“ āĻļāĻžāĻ¨ā§āϤāĻŋ āφāύ⧁āύāĨ¤
📖 ā§ĢāĨ¤ āĻŦ⧃āĻšāĻ¸ā§āĻĒāϤāĻŋāĻĻ⧇āĻŦ
āĻĻ⧇āĻŦāϗ⧁āϰ⧁ āĻŦ⧃āĻšāĻ¸ā§āĻĒāϤāĻŋ āĻ…āĻ™ā§āĻ—āĻŋāϰāĻž āĻ‹āώāĻŋāϰ āĻŦāĻ‚āĻļāϜāĻžāϤ āĻāĻŦāĻ‚ āϧāύ⧁ āĻ“ āĻŽā§€āύ āϰāĻžāĻļāĻŋāϰ āĻ…āϧāĻŋāĻĒāϤāĻŋāĨ¤
āϤāĻŋāύāĻŋ āϧāĻ°ā§āĻŽ, āĻœā§āĻžāĻžāύ, āĻ¨ā§āϝāĻžā§Ÿ, āĻļāĻŋāĻ•ā§āώāĻ•āϤāĻž āĻ“ āĻļ⧁āĻ­āĻĢāϞ⧇āϰ āĻĒā§āϰāϤ⧀āĻ•āĨ¤
āϏ⧂āĻ°ā§āϝ, āϚāĻ¨ā§āĻĻā§āϰ āĻ“ āĻŽāĻ™ā§āĻ—āϞ āϤāĻžāρāϰ āĻŦāĻ¨ā§āϧ⧁āĨ¤
āϤāĻžāρāϰ āĻ•ā§ƒāĻĒāĻžā§Ÿ āĻŦāĻŋāĻĻā§āϝāĻž, āϏāĻŽā§āĻŽāĻžāύ, āĻŦāĻŋāĻŦāĻžāĻš āĻ“ āϏāĻ¨ā§āϤāĻžāύ⧇āϰ āϏ⧁āĻ– āϞāĻžāĻ­ āĻšā§Ÿ āĻŦāϞ⧇ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ•āϰāĻž āĻšā§ŸāĨ¤
āϏ⧇āχ āĻĻ⧇āĻŦāϗ⧁āϰ⧁ āĻŦ⧃āĻšāĻ¸ā§āĻĒāϤāĻŋ āφāĻŽāĻžāĻĻ⧇āϰ āĻœā§€āĻŦāύ⧇ āĻļ⧁āĻ­ āĻ“ āĻ•āĻ˛ā§āϝāĻžāĻŖ āĻĻāĻžāύ āĻ•āϰ⧁āύāĨ¤
💎 ā§ŦāĨ¤ āĻļ⧁āĻ•ā§āϰāĻĻ⧇āĻŦ
āĻļ⧁āĻ­ā§āϰāĻŦāĻ°ā§āĻŖ āĻļ⧁āĻ•ā§āϰāĻĻ⧇āĻŦ āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ, āĻĒā§āϰ⧇āĻŽ, āĻ­ā§‹āĻ—āĻŦāĻŋāϞāĻžāϏ āĻ“ āĻļāĻŋāĻ˛ā§āĻĒāĻ•āϞāĻžāϰ āĻ…āϧāĻŋāĻĒāϤāĻŋāĨ¤
āϤāĻŋāύāĻŋ āĻŦ⧃āώ āĻ“ āϤ⧁āϞāĻž āϰāĻžāĻļāĻŋāϰ āĻ¸ā§āĻŦāĻžāĻŽā§€āĨ¤
āĻŦ⧁āϧ āĻ“ āĻļāύāĻŋ āϤāĻžāρāϰ āĻŦāĻ¨ā§āϧ⧁āĨ¤
āĻĻāĻžāĻŽā§āĻĒāĻ¤ā§āϝ āϏ⧁āĻ–, āϏāĻŽā§āĻĒāĻĻ, āϏ⧌āĻ¨ā§āĻĻāĻ°ā§āϝ āĻ“ āĻļāĻŋāĻ˛ā§āĻĒā§€ āĻĒā§āϰāϤāĻŋāĻ­āĻž āĻŦ⧃āĻĻā§āϧāĻŋāϤ⧇ āĻļ⧁āĻ•ā§āϰāĻĻ⧇āĻŦ⧇āϰ āĻ•ā§ƒāĻĒāĻž āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖāĨ¤
āϏ⧇āχ āϭ⧃āϗ⧁āĻĒ⧁āĻ¤ā§āϰ āĻļ⧁āĻ•ā§āϰāĻĻ⧇āĻŦ āφāĻŽāĻžāĻĻ⧇āϰ āϏ⧁āĻ– āĻ“ āϏāĻŽā§ƒāĻĻā§āϧāĻŋ āĻĻāĻžāύ āĻ•āϰ⧁āύāĨ¤
đŸĒ ā§­āĨ¤ āĻļāύāĻŋāĻĻ⧇āĻŦ
āĻ—āĻŽā§āĻ­ā§€āϰ āĻ“ āĻ•ā§ƒāĻˇā§āĻŖāĻŦāĻ°ā§āĻŖ āĻļāύāĻŋāĻĻ⧇āĻŦ āĻ•āĻ°ā§āĻŽāĻĢāϞ⧇āϰ āĻŦāĻŋāϚāĻžāϰāĻ• āĻšāĻŋāϏ⧇āĻŦ⧇ āĻĒāϰāĻŋāϚāĻŋāϤāĨ¤
āϤāĻŋāύāĻŋ āĻŽāĻ•āϰ āĻ“ āϕ⧁āĻŽā§āĻ­ āϰāĻžāĻļāĻŋāϰ āĻ…āϧāĻŋāĻĒāϤāĻŋāĨ¤
āĻļāύāĻŋ āĻŽāĻžāύ⧁āώāϕ⧇ āϧ⧈āĻ°ā§āϝ, āĻļ⧃āĻ™ā§āĻ–āϞāĻž āĻ“ āĻ•āĻ°ā§āĻŽā§‡āϰ āĻŽā§‚āĻ˛ā§āϝ āĻļ⧇āĻ–āĻžāύāĨ¤
āϝāĻĻāĻŋāĻ“ āϤāĻžāρāϕ⧇ āϭ⧟ āĻ•āϰāĻž āĻšā§Ÿ, āĻĒā§āϰāĻ•ā§ƒāϤāĻĒāĻ•ā§āώ⧇ āϤāĻŋāύāĻŋ āĻ¨ā§āϝāĻžā§ŸāĻŦāĻŋāϚāĻžāϰ⧇āϰ āĻĻ⧇āĻŦāϤāĻžāĨ¤
āϏ⧇āχ āϰāĻŦāĻŋāĻĒ⧁āĻ¤ā§āϰ āĻļāύāĻŋāĻĻ⧇āĻŦ āφāĻŽāĻžāĻĻ⧇āϰ āĻ…āĻ¨ā§āϝāĻžā§Ÿ āĻĨ⧇āϕ⧇ āĻĻā§‚āϰ⧇ āϰ⧇āϖ⧇ āĻ¸ā§ŽāĻĒāĻĨ⧇ āĻĒāϰāĻŋāϚāĻžāϞāĻŋāϤ āĻ•āϰ⧁āύāĨ¤
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đŸŒē āĻļā§āϰ⧀ āύāĻŦāĻ—ā§āϰāĻš āϰāĻž āϏāĻ°ā§āĻŦāĻĻāĻž āϏāĻ•āϞ⧇āϰ āĻŽāĻ™ā§āĻ—āϞ āĻ•āϰ⧁āύ đŸŒē

āĻļ⧁āĻ­āĻŽāĻ¸ā§āϤ⧁,
Achariya ShankhaaāĨ¤

āφāĻŽāĻžāĻĻ⧇āϰ āĻĒ⧇āϜ
https://www.facebook.com/share/19MdMprPri/ āĻĢāϞ⧋ āĻ•āϰ⧁āύ āφāϰāĻ“ āĻāĻŽāύ āϤāĻĨā§āϝāĻŦāĻšā§āϞ āĻĒā§‹āĻ¸ā§āĻŸā§‡āϰ āϜāĻ¨ā§āϝāĨ¤

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*đŸŒē Navagraha Mangalashtakam — Meaning, Significance & How to Recite in Simple English đŸŒē*

Navagraha Mangalashtakam is a sacred hymn where the blessings of the nine planets — Sun, Moon, Mars, Mercury, Jupiter, Venus, Saturn, Rahu & Ketu — are invoked.
According to Hindu scriptures, planets deeply influence happiness, sorrow, success, obstacles, and mental state in our lives. It is believed that reciting this hymn pacifies malefic influences and increases auspicious energies.

*🌞 1. Lord Surya / Sun*
Radiant like fire, Lord Surya is born in the lineage of Sage Kashyapa and rules Leo.
He symbolizes power, self-confidence, health, and leadership.
Jupiter, Moon, and Mars are his friends, while Venus and Saturn are considered his rivals.
May that brilliant Lord Surya illuminate our lives and always grant welfare.

*🌙 2. Lord Chandra / Moon*
Bright and peaceful, Lord Chandra rules Cancer and was born in the lineage of Sage Atri.
He represents mind, emotions, love, and mental peace.
Beloved of Lord Shiva and Goddess Uma, Lord Chandra makes the mind gentle and steady.
May Lord Chandra bestow peace and happiness in our lives.

*đŸ”Ĩ 3. Lord Mangal / Mars*
Bhauma or Mangal symbolizes strength, courage, and valor.
He rules Aries and Scorpio and is the guardian of the South.
Sun and Moon are his friends, but he is opposed to Mercury.
He is closely tied to warfare, land, and self-defense.
May the red-hued Lord Mangal grant us courage and protection.

*đŸŒŋ 4. Lord Budha / Mercury*
Yellow-complexioned Lord Budha rules intelligence, speech, and commerce.
He is the lord of Gemini and Virgo.
Lord Vishnu is considered his presiding deity.
Lord Budha’s grace is vital for increasing intellect, education, and communication skills.
May that gentle Lord Budha bring wisdom and peace into our lives.

*📖 5. Lord Brihaspati / Jupiter*
Deva-Guru Brihaspati is born in the lineage of Sage Angira and rules Sagittarius and Pisces.
He embodies dharma, knowledge, justice, teaching, and auspicious results.
Sun, Moon, and Mars are his friends.
Through his grace one is believed to receive learning, honor, marriage, and the joy of children.
May Deva-Guru Brihaspati grant us welfare and blessings.

*💎 6. Lord Shukra / Venus*
Bright-complexioned Lord Shukra governs beauty, love, luxury, and the arts.
He rules Ta**us and Libra.
Mercury and Saturn are his friends.
Shukra’s grace is key for marital bliss, wealth, beauty, and artistic talent.
May that son of Bhrigu, Lord Shukra, grant us happiness and prosperity.

*đŸĒ 7. Lord Shani / Saturn*
Solemn and dark-hued, Lord Shani is known as the judge of karma.
He rules Capricorn and Aquarius.
Shani teaches patience, discipline, and the value of hard work.
Though feared, he is truly the god of justice.
May that son of Surya, Lord Shani, keep us away from wrongdoing and guide us on the righteous path.

*🐍 8. Lord Rahu*
Rahu symbolizes mystery, illusion, sudden change, and worldly desire.
He is known as the cause of solar eclipses.
Rahu’s influence can bring confusion, yet also sudden success.
He is associated with durva grass and serpent energy.
May Lord Rahu protect us from evil and delusion.

*â˜„ī¸ 9. Lord Ketu*
Ketu represents spirituality, detachment, and liberation.
Known as a mystical planet, he shows the path of self-knowledge and divine thought.
Brahma and Chitragupta are linked with him.
May Lord Ketu grant us spiritual awakening and inner peace.

*đŸŒē Significance of Reciting Navagraha Mangalashtakam đŸŒē*
Scriptures say that reciting this hymn with devotion reduces malefic effects of the nine planets and enhances positive results.

*✨ Benefits of Recitation*
- Planetary faults / Graha dosha are pacified
- Saturn, Rahu, and Ketu afflictions are reduced
- Mental fear and anxiety are removed
- Progress in education, job, and business
- Peace and positive energy increase in family life
- Protection from illness, grief, and obstacles
- Self-confidence and spiritual strength grow

This hymn is considered especially auspicious for those whose horoscopes show Sade Sati, Kala Sarpa Yoga, Pitru Dosha, or repeated obstacles.

*đŸ•‰ī¸ Rules of Recitation*
*When to recite*
- Best after bathing in the morning
- Can also be recited after sunrise or in the evening
- Considered especially fruitful on Saturdays, Sundays, and New Moon days

*How to recite*
1. Wear clean clothes and sit with a calm mind
2. Facing East or North is preferred
3. You may place a lamp or picture of the Navagrahas in front
4. First, remember Lord Ganesha and your Guru
5. Then recite Navagraha Mangalashtakam with devotion
6. End with this prayer:
“O Navagraha Devas, remove all evils from my life and grant welfare.”

*🌸 Special Notes*
- Try to pronounce as correctly as possible
- Avoid reciting with anger or a disturbed mind
- Devotion and focus matter most
- This hymn can be recited by any devotee; initiation is not mandatory

*✨ Brief Phalashruti / Result ✨*
Scriptures state that whoever recites Navagraha Mangalashtakam regularly with devotion will see many obstacles gradually fade and planetary hardships lessen.
Through the grace of the Navagrahas, peace, success, and auspicious energy enter life.

*đŸŒē May Sri Navagrahas always grant everyone welfare đŸŒē*

Shubhamastu,
Achariya Shankhaa.

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Address

Kolkata

Opening Hours

Monday 9am - 5pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 5pm
Friday 9am - 5pm
Saturday 9am - 5pm
Sunday 9am - 5pm

Telephone

+919804894857

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