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Exciting news for mystery fans — The Thursday Murder Club movie is officially set to hit cinemas in 2025, and it’s shaping up to be one of the year’s most anticipated films. Based on Richard Osman’s bestselling novel, the story follows four unlikely friends in a peaceful retirement village who spend their days solving cold cases — until a real murder lands right on their doorstep. The film boasts a stellar cast, including Celia Imrie, Ben Kingsley, Helen Mirren, and Pierce Brosnan, each bringing charisma and depth to this quirky band of sleuths. Directed by Chris Columbus, known for hits like Harry Potter and Mrs. Doubtfire, the adaptation promises to capture the charm, wit, and twists that made the book a runaway success. Filming is already underway, and Osman is involved as an executive producer to ensure the film remains faithful to his much-loved characters. The movie will explore themes of friendship, justice, and life’s second chances, all set against the backdrop of a cozy murder mystery. With its perfect blend of humour, heart, and suspense, The Thursday Murder Club looks set to be a must-watch cinematic gem in 2025

Liz Smith was an extraordinary talent whose performances in both The Vicar of Dibley and The Royle Family showcased her incredible range, comic timing, and quiet brilliance. Often playing characters who seemed unassuming on the surface, she had a rare ability to deliver lines that were both hilarious and deeply human.

In The Vicar of Dibley, she played Letitia Cropley, the parish’s eccentric church organist and queen of bizarre sandwich fillings. Though her time on the show was brief, she made a lasting impression with her endearingly oddball charm, and her death in the series was one of its most surprisingly touching moments — a testament to how loved she was by both the characters and the audience.

But it was as Norma Speakman (aka "Nana") in The Royle Family that Liz Smith truly cemented her place as a national treasure. Her portrayal of the quietly sweet, sometimes inappropriate, but always loveable grandmother was nothing short of comedy gold. Whether she was asking awkward questions, falling asleep mid-sentence, or mishearing something in the most hilarious way possible, she brought warmth and authenticity to every scene. Nana was the emotional heart of that famously couch-bound family, and her final episode remains one of the most moving moments in British sitcom history.

Off screen, Liz Smith’s journey was equally inspiring — she found fame later in life, proving that talent and perseverance know no age limit. She brought truth, heart, and humour to every role, and is remembered not only for her characters, but for the kindness and grace she brought to British television

The Enduring Charm of Midsomer Murders 🌳✨

Since its debut in 1997, Midsomer Murders has stood the test of time as one of ITV’s most iconic and enduring crime dramas, consistently drawing in viewers with its unique blend of cosy village charm and chilling murder mysteries. Based on the novels by Caroline Graham, the series began with John Nettles as the calm and composed DCI Tom Barnaby, before gracefully transitioning to Neil Dudgeon as his cousin, DCI John Barnaby — a shift that kept the show fresh while preserving its heart.

Set against the stunning backdrop of rural England, the series masterfully balances quirky humour, rich character studies, and intricately woven mysteries, each story unfolding in seemingly peaceful communities harbouring dark secrets. Long-time supporting cast members like Nick Hendrix, Annette Badland, and Fiona Dolman have added continuity and warmth, creating a sense of familiarity that fans treasure.

What sets Midsomer Murders apart is its ability to blend light and dark, offering gruesome crimes with a side of eccentric suspects, whimsical village events, and unexpected twists — all wrapped in lush cinematography. Whether it’s a murder at a cheese festival or a deadly rivalry among bell-ringers, every episode brings something surprising and memorable.

More than two decades on, the series continues to be unmissable — not just for its mysteries, but for its timeless atmosphere, comforting pace, and the joy of seeing justice served with a raised eyebrow and a touch of British wit. It remains a true television treasure for viewers in the UK and around the world.

NEW! 🚨 The Marlow Murder Club is back for Series Two — and it returns with a bang on March 19, kicking off with a double-episode premiere on U&DRAMA.

Samantha Bond, Jo Martin, Cara Horgan, and Natalie Dew all reprise their roles as the sharp, quirky, and wonderfully unconventional sleuths at the heart of the cosy crime hit. After winning over audiences with its clever mysteries and strong character chemistry, this new series promises even more puzzles, humour, and heart.

This time around, the amateur detectives tackle three all-new cases, including a classic locked-room murder, a shocking incident at the Marlow sailing club, and a web of secrets that may be closer to home than they realise. Each mystery is packed with twists, red herrings, and that signature blend of intrigue and charm.

Adding to the excitement, this season features a stellar guest cast, including Tom Stourton, Nina Sosanya, and Hugh Quarshie, all of whom bring fresh tension and flair to the story.

With six episodes in total, airing weekly after the two-part premiere, The Marlow Murder Club is set to deliver another satisfying round of wit, whodunnits, and women who won’t stop until the truth is out. Perfect viewing for fans of Death in Paradise, Midsomer Murders, or Agatha Raisin.

Martin Compston is officially joining the cast of Red Eye for its second series, taking the lead in what promises to be another gripping chapter of ITV’s high-stakes conspiracy thriller. Best known for his acclaimed role as DS Steve Arnott in Line of Duty, Compston's addition adds serious star power to a series already brimming with tension and intrigue.

The first season of Red Eye was a major hit, pulling in over 8 million viewers, and its return sees Jing Lusi reprising her role as DS Hana Li, a determined detective thrust into a world of global espionage, dangerous secrets, and personal risk. She'll once again find herself at the centre of a high-pressure investigation — this time, with a new conspiracy looming, one that threatens to unravel everything around her.

Also returning are Lesley Sharp and Jemma Moore, who helped anchor the first season with strong performances and complex characters. With Martin Compston stepping into the fray, viewers can expect even more intensity, twists, and psychological depth as the drama expands its international scope and raises the stakes.

Prunella Scales’ portrayal of Sybil Fawlty in Fawlty Towers is nothing short of legendary. As the sharp-witted, no-nonsense wife of the perpetually frazzled Basil, she was the perfect comedic counterbalance to John Cleese’s manic energy. Where Basil flailed in panic and passive aggression, Sybil ruled with a teacup in one hand and a terrifying glare in the other.

Her performance was a masterclass in timing and delivery — every withering glance, dismissive phone call, and booming “BAS-IL!” landed with precision. Despite being stern and often exasperated, Sybil was also clever, efficient, and arguably the only competent person at Fawlty Towers, making her the real engine keeping the chaotic hotel afloat.

The chemistry between Scales and Cleese was electric. Their constant bickering, complete with “my little piranha fish” and other biting jabs, gave the show much of its edge and heart. Underneath all the shouting and sarcasm, there was a deeply dysfunctional but strangely affectionate dynamic, which made their scenes together both hilarious and oddly relatable.

Prunella Scales gave us one of British comedy’s most iconic female characters, and her legacy as Sybil continues to inspire sitcoms and audiences decades later. Simply put: she was comedy gold.

Rodney Bewes will forever be cherished by British television audiences for his wonderfully heartfelt and funny portrayal of Bob Ferris in The Likely Lads and its sequel Whatever Happened to the Likely Lads?. As the ambitious, upwardly mobile counterpart to James Bolam’s world-weary Terry Collier, Bewes brought a warmth and sincerity to Bob that perfectly captured the social aspirations and quiet frustrations of working-class life in post-war Britain.

What made Bewes’ performance so memorable was his natural comedic timing and relatable charm. Bob was often torn between loyalty to his past and the desire to better his future, and Rodney played that tug-of-war with real heart — never mocking the character, but instead making him lovably flawed and deeply human. His chemistry with Bolam was electric, their back-and-forth banter forming one of the greatest double acts in sitcom history.

While he had a varied career in theatre, film, and other television projects, including Dear Mother...Love Albert and Billy Liar, it’s undoubtedly Bob Ferris who remains his most iconic role — a character who spoke to a generation and still resonates today.

Rodney Bewes’ legacy is one of quiet brilliance and enduring appeal, and even years after his passing, fans still smile at the thought of Bob’s earnest efforts to rise above his roots — only to be hilariously pulled back down by life, and by Terry. A true treasure of British comedy

Sheridan Smith’s new drama I Fought The Law is making a huge impact, leaving viewers deeply moved and emotionally shaken.

Based on the harrowing true story of Ann Ming, the series follows her relentless pursuit of justice for her daughter, Julie Hogg, who was murdered in 1989. After two mistrials and a wrongful acquittal, Ann refused to give up — ultimately campaigning to change the UK’s double jeopardy law so her daughter’s killer could finally face justice.

Sheridan Smith delivers what many are calling one of her most powerful performances to date, portraying Ann’s strength, grief, and fierce determination with raw emotional depth. Viewers have described the series as “emotional,” “disturbing,” and “unforgettable,” with many saying it’s a drama that stays with you long after it ends.

Streaming now on ITVX, I Fought The Law is not just a gripping true crime series — it’s a testament to a mother’s unwavering fight against a broken system. 💔📺

Detectorists is one of those rare gems in television that quietly lodges itself into the hearts of viewers and stays there long after the credits roll. Created by and starring Mackenzie Crook, alongside the ever-excellent Toby Jones, the show centres on Andy and Lance, two metal-detecting hobbyists whose real treasure lies not beneath the soil, but in their gentle, beautifully understated friendship.

Set against the backdrop of the rolling English countryside, Detectorists is about life’s small, often overlooked moments — casual pub conversations, eccentric village characters, the sound of wind in the grass. Its humour is never forced; it’s subtle, observational, and deeply human, capturing the melancholy and magic of ordinary life.

Running from 2014 to 2017, the series received critical acclaim and a BAFTA for Best Scripted Comedy, a rare achievement for such a low-key, character-driven show. Its 2022 Christmas special was a warmly received return, offering both closure and a reminder of the show’s unique, calming charm. For many, it feels like television therapy — a peaceful, thoughtful escape from the noise of the modern world.

Fans still describe it as "poetic," "soothing," and "funny in the gentlest of ways." It’s a series that doesn’t shout for attention, but earns love through its authenticity, quiet wit, and emotional resonance. Truly, Detectorists is a modern classic — and proof that less really can be more.

Jennifer Saunders, one of Britain’s most beloved comedians and co-creator of Absolutely Fabulous, has spoken candidly in recent years about how “woke culture” and heightened sensitivities are affecting comedy — and she hasn’t held back.

In various interviews, Saunders has expressed frustration over what she sees as the increasing restrictions placed on comedians. She’s voiced concerns that the fear of offending or being misinterpreted has led to self-censorship, especially in satirical and character-driven comedy. Saunders has noted that much of what made classic shows like French and Saunders or Absolutely Fabulous so effective was their ability to poke fun at flawed characters without apology.

She’s argued that comedy should be a space where people can explore, challenge, and even ridicule ideas, without being automatically labelled offensive or out-of-touch. Saunders has also acknowledged the evolving landscape — she isn’t against change — but she’s critical of how quickly some audiences take offence, even when satire is clearly aimed at exposing social absurdities rather than promoting harmful views.

Still, she’s maintained her love for bold, character-led comedy and has suggested that while the boundaries have shifted, the core principles of good comedy — truth, timing, and risk — remain the same.

Her comments reflect a broader debate among comedians about whether the current climate stifles creativity or simply asks for more thoughtful humour. As ever, Saunders brings honesty and sharp insight to the conversation — and remains a fierce advocate for protecting the spirit of fearless, boundary-pushing comedy

it's genuinely heartening to see Eamonn Walker’s remarkable journey from British sitcoms to major roles on American television. Many UK audiences fondly remember him as Winston in the 1980s sitcom In Sickness and in Health, where he brought warmth and presence to a show that dealt with complex themes through humour. It was clear even then that Walker had serious acting chops and a charisma that would carry him far.

He truly made his mark internationally with his intense and unforgettable performance as Kareem Saïd in HBO’s Oz. As the articulate and principled Muslim leader in the gritty prison drama, Walker gave a commanding, layered performance that earned him critical acclaim and a devoted following — a role that helped redefine how Black British actors could break into major American productions.

More recently, he’s become a fan favourite as Chief Wallace Boden in NBC’s long-running hit Chicago Fire. As the heart and moral compass of Firehouse 51, Walker’s portrayal is steadfast, commanding, and deeply human, earning him praise for bringing both authority and compassion to a role that anchors the ensemble cast.

It’s not just his range that impresses — from comedy to complex drama — but the grace with which he’s navigated his career, becoming one of the most respected British exports working in U.S. television today. It’s wonderful to see Eamonn Walker not only doing well but continuing to evolve as an actor, taking on roles with depth, dignity, and power. An absolute credit to his craft. 👏🎭📺