20/10/2026
In most of my films, the voiceover is locked before a single visual exists.
The voice sets the rhythm. Where it breathes, the picture changes. Where it lands a line, the music lifts.
Then the visuals are generated to fit, shot by shot.
Traditional production often runs the other way. Shoot first, find the story in the edit, patch the script to match.
Starting with the voice means nothing gets generated that the story does not need.
Fewer wasted clips. Tighter cuts. A film that sounds planned, because it was.