Alexander Technique Philadelphia

Alexander Technique Philadelphia

Share

Ariel Weiss teaches the Alexander Technique online and in person through classes, lessons & more. www.atphila.com

The Alexander Technique is a time-proven method of helping people of all ages and occupations move more freely and comfortably, rid their bodies of tension, and even recover from injuries. Whether you're sitting at a computer all day or you're a performing artist, athlete, or senior citizen, the benefits of AT can help you realize your full potential and live a more comfortable life. I'm Ariel Wei

Photos from Alexander Technique Philadelphia's post 07/21/2026

Not gonna lie to you…
It’s been a rough time for me personally -

I’ve been navigating health challenges for myself as well as my older brother who passed away peacefully with us by his side on July 5th.

I’m grateful for the return of my own health and for the time I got to spend with my brother and family.

Yet it is also true that I am deeply sad and worn out.
Grief is a powerful force.

One of the ways I am taking care of myself and giving myself time to heal is spending time in nature -
the beauty, calm and peace of the CA hills and shores we visited last month are like a salve…

Let it soak in….

How do you soothe and comfort yourself?
Share below 👇🏽 and click the link in bio above 👆to learn how to join the AT Phila learning community with classes, lessons, courses and more.

07/19/2026

Welcome back to my series of video tips for musicians on how to play without pain 🎶

So far we’ve explored expanding our attention, looked at how we bring up our instrument and explored both seated and standing balance.

Today we address the importance of sequence in movement - because who’s leading matters A LOT!! 🤣

Join me in experimenting leading with your shoulders to bring up your instrument (or water bottle).

Then let your elbows lead,
and then finally let your hands lead to bring up your instrument..

What do you notice about these options?
How does each impact yur plying?

Bonus tip: Now notice that within the ecosystem of each hand, your fingers lead your hand so your hand can lead your arm.

The idea here is to let the distal end (end of the line) lead instead of pushing from the middle of the system.

How’d you do? Share your findings below 👇🏽and let me know what pain you are having in your music-making so I can be of help 🙏

Click the link in bio above 👆to learn how to join the AT Phila learning community with classes, lessons, courses and more.

07/17/2026

Exactly.
This is what we do in an Alexander Technique lesson.
We learn to know what we are paying attention to and how we are attending to ourselves in the context of our environment and the activity we are engaged in.
Simple, right?

Marj Barstow used to say - “let it be that simple.” with a twinkle in her eye. 😉

One of the best tricks I know as an AT teacher is that as soon as I ask a student to pay attention, things start to change.
The very act of shifting attention enacts change -
almost like magic!

Allow yourself in this moment to notice what you’re noticing…
Invite yourself to expand what you are noticing to include your feet on the floor and seat in the chair…
Now include the space above you, behind you and to the sides of you.
Has anything shifted in your breathing? Your overall comfort? Your mood?
Share below 👇🏽and let us know how shifting your attention changes thins...

Click the link in bio above 👆to learn how to join the AT Phila learning community with classes, lessons, courses and more.

07/15/2026

"One’s destination is never a place, but a new way of seeing things.”
- Henry Miller

I truly think this is the biggest challenge as an AT teacher.
Maybe because I trained as a dancer I’m particularly sensitive to the somtimes subtle (but mostly not) messaging
that leads us to think there is a “right place” to be. I was taught to “hold” and sked to maintain my “plav=cement”…

I’m not the only one however 🫢
Time after time, new students return to my studio and ask “is this right” as thry try to put themselves in a place.
And every time I despair 🤦🏻♀️
How is it that I'm teaching that??

And so I continue to question and evolve -
to find ways to bring awareness for my students towards
connectivity, relationship, context, mobility and more

and let go of place and perfection.

Curious how I do that?
Join me online for class - your first class is FREE!

Click the link in bio above 👆 to learn how to join the AT Phila learning community with classes, lessons, courses and more.

07/13/2026

Oh Marj!
This one sneaks up on me quietly - and then gets me…

There is indeed nothing to “get.”
Nothing to “get right.”
Only something to lose.

What do we lose when we study Alexander’s discoveries?
Well - that’s up to you 😉

We gain the option to lose patterns of interference, harmful habits, preconceived notions of ourselves and the world around us, inefficient and unbalanced proclivities, and perhaps even the prison of anxiety and perpetual self-criticism.

What have you got to lose?
👆 Click the link in bio above to learn how to join the AT Phila learning community with classes, lessons, courses and more.

07/11/2026

Here’s the next installment in my series of video tips for musicians on how to play without pain 🎶

So far we’ve explored expanding our attention, looked at how we bring up our instrument and last time looked at seated balance.

Today we address standing balance because being in balance is everything! 🤸🏿♀️

Begin experimenting by bringing your head forward in space over your tippy-toes.
Now bring your head back in space over your ankle joints.
Next bring your head further back in space until it is over your heels.

Repeat all three options and notice how easy it is to turn your head and move your arms in each option.

How did the experiment feel to you? Dos it change anything when you go to play?
Share your findings below 👇🏽and let me know what pain you are having in your music-making so I can be of help 🙏

Click the link in bio above 👆to learn how to join the AT Phila learning community with classes, lessons, courses and more.

07/09/2026

I captured this beauty on a recent trip to New Mexico - the vista literally took my breath away!
The opportunity to travel and see new landscapes and be in nature is truly a gift I am deeply grateful for.

The red earth in the Southwest moves me -
the sense of proportion to stand at such an overlook changes me…

Changing the scenery literally gives us new perspective 🤔

Alexander’s discoveries give us a tool-kit to “leave home” so to speak -
leaving harmful habits (at least temporarily) in order to widen our vista -
to choose a new view -
and discover a new path forwards.

If you’re ready to widen your vista, join AT Phila online or in-person -

👆 Click the link in bio above to learn how to join the AT Phila learning community with classes, lessons, courses and more.

07/07/2026

Sometimes even our AT habits become ruts 🤦🏻♀️

That’s one reason why I proudly declare that I am not a classicist -
my super power is creating endless variations on a theme -
eimagining FM’s directions -
devising new etudes -
new imagery, analogies and similes -

To be fair - this is not the only way to teach Alexander’s discoveries -
and I wouldn’t say my way is better necessarily -
just truer to who I am and how I experience the work.

What habits have become ruts for you?
Share below 👇🏽 and tell us how you gott ourself out of the rut 😉

Click the link in bio above 👆to learn how to join the AT Phila learning community with classes, lessons, courses and more.

07/05/2026

When we embrace confusion instead of avoiding it, wondrous learning can happen.
Your curiosity is the best leader and best teacher you have.

Liberate it.
Follow it.
Trust it.

No need to be in a hurry to reach an answer - to “get it” - or be “right”.

Embrace your confusion with curiosity and see what happens 😉

Share your experiments below👇🏽 and
👆 Click the link in bio above to learn how to join the AT Phila learning community with classes, lessons, courses and more.

07/03/2026

Here’s the next installment in my series of video tips for musicians on how to play without pain 🎶

So far we’ve explored expanding our attention to include ourselves and the space around us
and we began to look at how we are in relationship to our instrument when we pick up or go towards our instrument.

Today I’m actually going back a step -
because I realized💡 that before I address how you bring up your instrument, it would be wise to address your overall balance by orienting your head over your base first. 🤦🏻♀️

Being in balance is everything! 😂
Begin experimenting by rocking on the rounded rockers of your sit-bones.
Notice how their is more weight in your feet as you rock forward on your sit-bones
and how you will tense up if you rock to the back of your sit-bones.
Now find your “Goldilocks” range when your head is balancing over the middle of your sit-bones and your back and neck muscles are freer.

Voila!

How did the experiment feel to you? Dos it change anything when you go to play?
If it felt unfamiliar you have succeeded in exploring un-habituated territory - bravo!! 👏👏👏👏

Share your findings below 👇🏽and let me know what pain you are having in your music-making so I can be of help 🙏

Click the link in bio above 👆to learn how to join the AT Phila learning community with classes, lessons, courses and more.

Want your business to be the top-listed Gym/sports Facility in Philadelphia?

Click here to claim your Sponsored Listing.

Location

Telephone

Address


@ Azuka Theatre 1700 Sansom Street, Suite 800 Philadelphia
Philadelphia, PA
19102

Opening Hours

Monday 11am - 7:30pm
Tuesday 9am - 5pm
Wednesday 9am - 5pm
Thursday 9am - 3:30pm
Friday 9am - 5pm