Fempress - Amplifying Women's Voices

Fempress - Amplifying Women's Voices

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Fempress is a publishing house run by the Women's Hope, Education and Training (WHEAT) Trust. A Sout FemPress is a Publishing House managed by the WHEAT Trust.

It aims to create a platform which will enable grassroots women to share their stories, articulate their needs and share in the mainstream media in print as well as the additional digital platform called DigiFem which is hosted on the website of WHEAT Trust

DigiFem | Wheat Trust 07/05/2015

Have an opinion on issues that effect women? Make your voice heard on our online platform DigiFem!
http://wheattrust.co.za/media/digifem/

DigiFem | Wheat Trust Search for: Home › Media › Forums Forum Topics Posts Freshness Environmental sustainability The focus is on encouraging women to actively participate in protecting their environment. 0 0 No Topics Gender Based Violence The focus is on projects working to reduce levels of domestic violence and genera…

Photos 05/05/2015

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Photos 05/05/2015

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26/03/2015

“There is no greater burden than carrying an untold story,” - Maya Angelou.

Photos 17/03/2015

I won’t cry no more

By: Chantal Julies

As a man you treated me like I was your one and only love and that it was only me in your life.

At first it was all sunshine and roses and I believed all the soppy stories and empty promises that you made that never came true.

As a fool I believed every word because I was so hopelessly in love with you.
Now that I think about it, it was actually in my head and not in my heart.

As a man you’ve given me hope but I was hopeless. As time has passed you changed and all the happy days were over and you came less and less and never. That’s when I thought to myself where you at? because you promised me you would be here for me and protect me from heartache and pain.

I thought you were my hero, but it turned out you were no good.

So as a man you treated me like I was worthy of nothing.

I doubted myself and it was because of all the heartache and pain and it’s all because of you.

You’ve also opened my eyes for the next man that’s gonna walk into my life and give me so much more than you ever could. Live goes on and I don’t carry this hurt in my heart as I did when you left me like that, but I’m stronger than that. I cannot turn back the clock but can only turn into what I want to be in the future.

So all I’m saying is to my heartache: I won’t cry no more

Photos 16/03/2015

As A Child I Was Treated Like A Parcel

By: Nontsasa Nyovane

This brave little girl was born in the Eastern Cape. Her biological mother left her with her grandmother, saying she was going to look for a job to support her child. The father of the child had run away: he didn’t want to support his child.
From the time that the mother of the child left, she never even wrote a letter saying she had arrived safely or that she had a job.

The grandmother was a widower who was unemployed and dependent on a government grant which she used to feed five people. Remember that at that time in the 1970s the government grant was very little. The grandmother used to make some extra money through selling mealies.

The grandmother took care of the little girl. There was no money for baby food but she grew up healthy, drinking cows’ milk and eating mealie-meal. Her grandmother gave her love, care and spiritual support and taught her manners, like how to show respect for elderly people. She also taught her that the key to
life is education.

She said to her granddaughter, “Forget about your mother and not knowing who your father is out there. You are only a child without a father. When your mother is ready, she will come home and our house will still be here.”

The grandmother had four of her own children. The little girl’s two aunts and two uncles never liked her. They were always telling her, “This is not your home.” They treated her very badly, as if she was not a human being. The little girl was so tiny. There was only one aunt who was a little better than the others.

The girl could not go and play with the other children. Every day she would have to go to fetch water from the river. The aunts and uncles never bought her even one pair of shoes. At Christmas, she would get clothes that her grandmother had sewn for her.

*

When she was a teenager, the girl was involved with school activities, like music and sports. She loved to go to church. But whenever she was away from the home, she would worry about the household duties. She was like a housemaid.

The grandmother had to attend funerals and community meetings and when she was not at home, things got worse. On the weekends there was not time for the girl to play with her cousins or other children. She had to do the washing, clean the house, sweep the yard and cook for Sunday. When her grandmother
arrived back at the house, the girl would cry and tell her of the abuse.

Her grandmother always said, “Don’t worry, my child. God will wipe your tears one day and that broken heart of yours will be healed. God is going to put you where you belong and fulfil all your dreams. You must take from this for when you have a family and your own children. As a mother, you must always support
them, no matter what.”

*

When the girl reached high school, her grandmother decided she must go and stay at the boarding school so that she could be away from the abuse. The fees were not very expensive. Her aunts and uncles were angry with her grandmother for taking their slave from the house. Remember that the grandmother was also scared of her own children because they were the ones who paid for the groceries.

They asked who was now going to do the washing, cleaning and cooking. But the grandmother answered by saying, “Everyone in this house has two hands and two feet. I never gave birth to disabled children. I will only do washing and cooking for my great-grandchild.”

While she was in high school, the girl fell pregnant. Her grandmother was so disappointed. But even while the aunts and uncles were laughing at her, the grandmother said, “Because I want my grandchild to be something in the future, I will look after this child. My grand daughter must go back to school.”
That caused a lot of fighting in the family because the vulnerable girl had brought another child into the family.

After some years, the girl’s biological mother died. She did not feel any pain because she didn’t know her mother very well. The grand daughter finished high school but the grandmother did not have money for her to go to university. She decided to go and look for a job in order to say thank you to her grandmother.
All this time her cousins were failing at school, repeating their grades two or three times.
The grandchild gave the first wages that she earned – R2000 – to her grandmother.

The grandmother said it was too much and that none of her children had ever given her so much money. Her grandmother wrote to her, saying, “My loving daughter, I have always prayed for you, for God to protect you and your child and for Him to fulfil all your dreams.” She renovated her grandmother’s house and bought new furniture for her.

Bad things happened. Two of the grandmother’s children died and there was no money to bury them. Her grandmother asked her grandchild for help. So she sent money for the preparations and went down for the funeral. Everyone was so happy, forgetting how they had treated her like a package and as if she was not a member of the family.

Her grandmother got very sick. She said to her granddaughter, “You are the only child that I always watched over and worried about. You have a good heart: you don’t hold a grudge against my children. When they asked you for money, you gave it to them without saying a word.” The grandchild answered by saying, “Grandmother, all that I am doing is because of the journey you
have walked to raise me and my child, supporting me all the way.”

Before the grandmother died, she bought her granddaughter a big plot in the Eastern Cape. She said it was for her granddaughter to build her own home “because you don’t belong here in this home. One day when I die, my children will chase you away.”

Everything went as planned. Her grandmother died and left a will behind, instructing her granddaughter, “When you come, if you want to bury me the next day, you can. No-one should stop you. You mustn’t wait for my own children because I know them: they won’t have a cent to bury me. You were the only child that God blessed me with. Keep on doing your good work. Don’t
forget to look after my house.”

After the funeral, the granddaughter decided to start working with abused children. She wanted to support them, give love to those who had never had love and stand up for their rights, like her grandmother had done for her.
After some years, she moved to work with orphans, child-headed households and other vulnerable children. The reason she made this move was that she could see a gap in the community for children who didn’t have a mother like her grandmother, who had given up her own children to care for her grandchild,
an abandoned and neglected orphan.

The granddaughter learnt a lot from her grandmother. She learnt that even if children are treated badly, it is still possible to make them very strong, so strong that they can be the rocks of tomorrow: the leaders of tomorrow.
Today the granddaughter is a rock, a developer and a carer to everyone’s children.

Photos 16/03/2015

This week we are sharing some extracts from our first book, 'Every Scar tells a Story', published by the Women's Hope Education and Training WHEAT Trust
The book is a collection of personal narratives and poems,
organizational stories, photographs, and artwork.

The personal pieces were all written during the WHEAT Trust
writing workshop, facilitated by Jan Webster. Each woman who
attended the workshop is associated with a different beneficiary
organization of the WHEAT funds. The testimonies of these
“grantee” organizations, beautifully captured and retold by
Bernedette Muthien, mirror those of the individual women;
each tells a story of struggle turned to triumph. In the book,
the work of every woman is preceded by the story of
organization of which she is a part.

The poetry and artwork that appears throughout was produced
as part of a collaboration between poet Tigist S. Hussen and
illustrator Zulfa Abrahams. Tigist’s work, which appears here
in her native language, Amharic, engages many of the same
themes—expression, identity, and transcendence.

Photos 11/03/2015

BETRAYAL

You were in my house
and I did not even know it.
You were in my home
and I did not even sense it.

You overwhelmed the scrubbers
stepped around the sweepers
denied our DNA
and r***d our chromosomes.

The current disturbed,
the peace disrupted
you breathed MY air
polluted the particles
and upset the balance.

Though only for a moment,
in a lifetime of moments,
the stench still lingers.
The rancid taste
sits in my palate,
holding on.

- Poem and Artwork by Zulfa Abrahams, 'I am the rose', 2014 -

Photos 10/03/2015

THE CRACK

The light seeping through
the crack on her sole delights me
the light seeping through
the crack on her sole rebukes me.
The light seeping through
the crack on her soul softens me.

I am grown.
I am grown and my skin tells stories
and my bones creak a tune.
I am grown.
I am grown and my hair is dipped in ash,
while my breasts soften and empty.
I am grown.

So I watch her.
I follow the untarnished curve of her back,
while my insatiable gaze rests only briefly
on the smooth valley of her waist
before obediently succumbing
to the hypnotic sway of her hips.

Swallowing the envy clawing
its way into the back of my throat,
as I continue my path down her full thighs
to her supple calves where
I take respite from my aching knees
and stretched skin.

You see I am grown
and her rhythm is bewitching.
As she lifts one foot before the next
I am hypnotised and saddened
by the stories of my body.
Until I see it.
Until I see the crack in her sole.

How easily now her story
emerges from the mist of her beauty.
The crack leaks undemanding murmurs
of struggle and hurt.
It strikes an unexpected chord
and my armour fades,
my anger melts,
my gaze shifts and I see her.

Because I am grown
I see her.

- Poem and Artwork by Zulfa Abrahams, 'I am the rose', 2014 -

Photos 09/03/2015

I AM

I sooty black like ink,
or rather the I in ink
that creeps divinely across
the creamy barren landscape
of a poet's page.

I, unapologetic like imagination,
or rather the I in imagination
that swells fat and fertile
with the promise of tomorrow
and all the tomorrows
that are folded into
the assurance of time.

I like in inside,
or rather the I in inside,
that secret nowhere place where
hope lives and breathes like
a tree in a place of no trees.

I, like in impotent,
or rather like the I
in the impotent tiny
fist of my voice in the world,
stomping its path around the sun.

I who is nothing but stories,
I is nowhere
and homeless,
I is no one
but many,
I am.

- Poem and Artwork by Zulfa Abrahams, 'I am the rose', 2015 -

Photos from Fempress - Amplifying Women's Voices's post 09/03/2015

The Women’s Hope, Education and Training Trust(WHEAT) recently launched FemPress – our very own publishing house. The WHEAT Trust introduced on the same day 'I am the Rose' a collection of poetry and art by Zulfa Abrahams.

Grassroots women are sorely under-represented in the dialogue surrounding the issues that most affect their lives. Thus, they are often robbed of their physical and literary voices.

Instead of speaking on their behalf, we at WHEAT strongly believe that they deserve the opportunity to tell their own stories.

In April 2013, WHEAT hosted a writing skills workshop for some of our Western Cape grantees that work in the field of Gender Based Violence in their communities.
We published our first book, entitled 'Every Scar Tells a Story' which containing these grantees' personal stories born from the workshop.

This has inspired other women, like Zulfa, to come forth and tell their stories, and highlighted the need for a platform through which grassroots women can raise their voices.

Thus, it is our aim that the launch of FemPress will enable women to share their stories, articulate their needs and share in the mainstream media in print as well as the additional digital platform called DigiFem which is hosted on our website.

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More about Zulfa Abrahams, Author of I am the Rose
Zulfa Abrahams is a poet, artist and feminist scholar from Cape Town, with an interest in identity politics, gender and embodiment and mixed media visual art. She has MA in Women’s and Gender studies where she examined Muslim women and the politics of power and gender. She
is currently undertaking her doctoral study which focuses on emerging technologies, women, power and education.

Recently, Zulfa has taken a keen interest in expanding her artistic work as a sketch artist and painter to include a number of mediums. She is particularly interested in the ways in which visual art empowers and provides a feminist space for intellectual creativity.

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