12/07/2026
WI******ER 62 / ROSSI GALLERY vs. RE*****ON / CBC NYLON 66
I was asked to give my opinion on these two fi****ms—icons of the .22 LR caliber.
I am aware that this article might spark serious discussions and even stir up controversy, but here goes:
WI******ER 62 / ROSSI GALLERY:
1. Total length: 39 3/8" (100 cm)
2. Barrel: 23 inches
3. Take-down
4. Solid steel
5. Wood stock
6. Exposed hammer
7. Pump action
8. Cowboy style
9. Shoots .22 short, .22 long and .22 long rifle
10. Safer to carry in the woods
Downside:
Fixed rearsight (needs taps with a wood piece to adjust sideways)
Forend removes bluing as it slides, the same for the bolt
RE*****ON / CBC NYLON 66:
1. Total length: 38 9/16" (98 cm)
2. Barrel: 19.5 inches
3. Full size
4. No need to l**e
5. Synthetic stock
6. Allows for riflescope / red dot
7. Semi-automatic
8. Aesthetic appeal (beautiful design)
9. Shoots 22 long rifle only
10. Lightweight
Downside:
The bolt does not remain open after the last shot.
A live round may remain hidden in front of the tubular magazine, requiring greater attention from the shooter. This can pose a risk.
Rear sight on the metal receiver cover apart from the barrel
Stock may twist if hold tight
My opinion is that the vintage Rossi Gallery, a licensed clone of the Wi******er Model 62, offers superior durability, maintenance, and safety for field use compared to the polymer-based Re*****on/CBC Nylon 66, which is hampered by complex cleaning and flexible stock issues. While the Nylon 66 is a collectible "space-age" icon, its modern, bulky Ta**us-produced counterparts lack the hand-fitted steel and slim profile of the original Brazilian-made Rossi. For optimal longevity and shooting performance, the traditional steel-and-wood, take-down Rossi Gallery outperforms both the high-maintenance Nylon 66 and the bulky modern Ta**us revision, and here is why:
TA**US / CBC NEW GALLERY
The new Ta**us/CBC Gallery is quite clunky compared to the classic Rossi Gallery. The new model features a bulky, unattractive aluminum receiver that falls far short of the fit, finish, and slender profile of the original Rossi Gallery, which boasts a machined, polished, and blued steel receiver (except for the rare luxury model as shown in the picture that illustrates this article). It simply cannot compare to what the fi****ms industry produces today—products driven by cost-cutting at the expense of quality and aesthetics. The synthetic stock is another feature that clashes completely with the classic design, which originally sported a solid wood stock.
The classic Rossi Gallery remains true to the original Wi******er 62, which in turn is derived from the Model 1906 designed by John Moses Browning.
We are, therefore, dealing with different designs, distinct histories, and varying levels of quality. It is undeniable that the classic Rossi Gallery is vastly superior to its modern successor in every respect.
If you have ever had the opportunity to handle or shoot the original Wi******er 62—or its clone, the classic Rossi Gallery—you won't even want to try the new Ta**us/CBC version.
GALLERY vs. NYLON 66
While the Re*****on / CBC Nylon 66 is a fascinating, highly collectible piece of "space-age" fi****ms history, its high market price is driven by nostalgia and hype rather than superior field utility. For real-world hunting, safety, longevity, and structural integrity, the classic steel-and-wood Wi******er 62 / Rossi Gallery is the objectively superior tool.
Core Comparison Breakdown
1. Mechanical Safety & Handling
• Rossi Gallery (Winner): Features a traditional exposed hammer. It allows the hunter to safely carry a round in the chamber with the hammer down at a half-c**k safety notch. It is physically impossible to discharge if you trip, yet lightning-fast to c**k with your thumb when game appears.
• Nylon 66: A semi-automatic with an internal hammer and a manual safety switch. It poses a distinct safety hazard because its feeding mechanism can occasionally hide a live cartridge ahead of the magazine tube, requiring extreme caution during clearing.
2. Structural Integrity & Repairability
• Rossi Gallery (Winner): Built from solid, machined steel with a real hardwood stock. If the stock cracks or breaks from a hard fall, it can be easily repaired with epoxy or completely duplicated by a local stockmaker. Parts are abundant.
• Nylon 66: The Zytel plastic stock is the actual receiver frame; the barrel and internal parts are pinned directly into the polymer. If the plastic cracks around these stress points, the rifle is permanently destroyed. No aftermarket replacements exist because injection molds are too costly to produce.
3. Wet Weather & Rust Realities
• Rossi Gallery (Winner): While solid steel will rust if neglected, its take-down design allows you to split the rifle into two halves by loosening a single thumb screw. It can be dried, cleaned, and heavily oiled at a camp table in under two minutes.
• Nylon 66: The plastic stock won't rot, but the barrel and thin, stamped sheet-metal receiver cap will rust quickly in humid environments, mainly in the case of the blued models like the Mohawk and Seneca. Because the Nylon 66 is notoriously difficult to disassemble, water gets trapped under the metal cap, leading to hidden rust pits that ruin the gun from the inside out.
4. Ammunition Versatility
• Rossi Gallery (Winner): Being a manual pump-action, it flawlessly feeds and cycles any .22 Short, .22 Long, or .22 Long Rifle ammunition, including weak or ultra-quiet subsonic pest control rounds.
• Nylon 66: Relies strictly on the explosive blowback energy of a standard .22 Long Rifle cartridge. It will easily jam or fail to cycle if fed dirty, weak, or non-standard ammunition.
5. Accuracy & Sight Stability
• Rossi Gallery (Winner): Both the front and rear iron sights are mounted directly onto a rigid, heavy 23-inch steel barrel. The long barrel provides an excellent sight radius for precise human alignment, and the point of impact will never shift.
• Nylon 66: The rear sight is mounted onto the stamped sheet-metal receiver cover, which sits loosely over the plastic stock. If you grip the rifle too tightly or brace the stock against a tree, the polymer can flex, bending your rear sight away from the barrel's true bore line and throwing off your shot. That might not be an issue if the gun is held properly, but it is worth pointing out. The positive side is that the receiver allows the installation of riflescope or red dot. So, if you want to install optics the 66 is your choice.
6. Weight & Balance
• Rossi Gallery: Weighs roughly 5.5 lbs (2.5 kg). It is front-heavy due to the long steel barrel, which acts as a natural stabilizer to steady your iron sights when your heart is pounding.
• Nylon 66: Weighs a featherlight 4.0 lbs (1.8 kg). It is effortless to hold but can feel "whippy" and difficult to keep steady in a crosswind or under field conditions.
7. Sling Installation (Carrying in the Woods)
• Rossi Gallery (Winner): Neither gun comes with factory swivels, but the Rossi easily accepts standard hardware. You can safely drill a stud into the wood buttstock and attach a split-band clamp to the steel magazine tube to mount your leather sling securely.
• Nylon 66: The hollow, thin-walled Zytel stock cannot support a screw-in swivel stud under the weight of a swinging rifle, making aftermarket sling installation a high-risk gamble that can ruin the frame.
Some will argue that the Nylon 66 has the advantage of being semi-automatic. That is an attractive point if you want more "fire power" or having fun shooting fast.
But here is a perspective that is completely validated by mechanical reality: semi-automatic capability offers no true advantage in small game and bird hunting, where the first well-placed shot is all that matters. The vintage, hand-fitted Rossi Gallery from the golden era of the São Leopoldo factory, is a robust, beautifully balanced heirloom that easily outclasses the over-priced, unrepairable plastic innovation of the Nylon 66.
The Final Verdict: Both are excellent guns that perform their roles well, but when it comes to real-world utility, the Rossi Gallery wins decisively.
Shoot to hit!
Nelson L. Faria
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