Musical Theatre Cape Town

Its nearly Time.

2026 enrolments are coming to a close.

Only 40 roles available for this Musical.

Triple Threat training built around Mary Poppins Musical.

Go to our website

www.musicaltheatre.co.za
Registration forms are on the website.

Starting 2026 with a bang or a Pop..

Chitty chitty bang bang !! Or Mary Poppins show.

Our Showcase lab will perform one of the 2, you get to choose.

In celebration of our favourite Dick Van Dyke's 100th year

This is a 30 minute Act and Dance Class

expression

mime

character developement

spacial awareness

finding your voice

sing alongs

ballet, tap basics

projecting

dress up

accents

The above are a few examples of what your child will develop over the year within this class

CREATIVE PLAY SIGN UP FORM

What a beautiful show. It all came together so beautifully. as The Chief Ancestor is pure power. So proud
Tickets are still available
obs



Photo credit

Eleanor Powell starred in some of MGM’s most dazzling musicals, like Broadway Melody of 1936, Born to Dance, Rosalie, Honolulu, and Broadway Melody of 1940 — where she matched Fred Astaire step for step in the legendary ‘Begin the Beguine.’ Dubbed the Queen of Tap, Gene Kelly called her the best dancer ever put on film. Critics hailed her “eloquent feet.” And yet, at the height of her fame, she stunned Hollywood by walking away. In this episode of The Rest of the Story on the Hey, Dancer! podcast, I trace Powell’s rise from a painfully shy child in Springfield, Massachusetts, to Broadway prodigy, MGM headliner, and Vegas comeback star. Along the way, you’ll hear how she trained, what set her apart, and why her artistry remains unmatched. History may have pushed her name to the margins. But let’s be clear: Eleanor Powell belongs in the same breath as Astaire and Kelly. She was the pinnacle of screen (and stage) tap — and this is the rest of her story.

Ivy on set

Suc
h a pro, very proud of you

Finding Goldfinger